"Shalom Y'all" sounds suspiciously like a slogan designed to sell souvenirs to Jewish visitors in the American South, and indeed the phrase adorns T-shirts, mugs and other paraphernalia in the gift shop of Charleston's Beth Elohim Synagogue.
But the drawled greeting is also common parlance amongst the Jews of South Carolina, who have enjoyed 300 years of virtually uninterrupted prominence and prosperity in this unexpectedly rich corner of the Diaspora.
Unexpected indeed is what the community of refugees preoccupied itself with after flocking to these shores in the 17th century. It was not only non-Jews who profited from rice and cotton plantations, kept slaves, presided over grand antebellum mansions, dueled with pearl-handled swords and engaged in a futile fight to defend the Confederate flag. Ex-Londoner Francis Salvador, elected to the South Carolina Congress in 1774, became not only America's first Jew elected to high office but the first to die liberating his colony from British rule.
What brought the first, mainly Sephardic, Jews to Charleston was its remarkable religious tolerance, not to mention the economic prospects elevating them to a new aristocracy to which their Ashkenazi kinsmen who followed greedily aspired. Thus the shameful lust for slaves, the choice accessory of the period even for Jews paying annual lip service to their own release from slavery in Egypt. However, it was a high-principled Jewish grocer who redeemed the community by refusing to segregate his black customers in the dark days before civil rights prevailed.
As well as the exhibits celebrating Jewish life at the excellent Gibbes Museum of Art, there is much to delight the visitor to Charleston, whose beautiful and historic homes, churches and public buildings have been preserved in aspic by poverty. For more than a century after the Civil War, there was no money for urban renewal, though now the city is enjoying a boom, new buildings are creeping in and the slow pace of life associated with the South is confined in this city to Battery Park, where magnificent colonnaded mansions line streets lined with cobblestones brought from England. A plethora of horse-drawn carriages and trolleys tour the streets of the historic district, but the only way to get into the side streets and alleys, where so much of Charleston's elegant residential life is played out, is to take a walking tour.
Ruth Miller covers Jewish history as well as all the general sights in her Charleston strolls, including handsome Beth Elohim, built in Greek-revival style in 1840 to serve a congregation already a century old. Against the trend of European synagogues designed for Ashkenazim but now used by larger, younger Sephardic congregations, this one has evolved in the opposite direction. It comes as a shock to find that while there is no separation of worshippers at Beth Elohim, where America's Reform movement was founded in 1824, there is a gallery in place down the road at St. Michel's Church, designed to separate not men and women but whites from blacks "and other strangers" in the bad old days.
You don't need a tour guide to get into the handsome church or many of the town's historic homes and gardens, since local groups -- from august preservation societies to the flamboyant Hat Ladies of Charleston -- are falling over themselves to open their doors to visitors. Away from the "Gone With the Wind" opulence of the townhouses -- notably the 1818 Aiken-Rhett House, where antebellum urban life is faithfully showcased, Drayton Hall documents plantation life warts and all, and the Charleston Museum's Heyward-Washington house offers a glimpse of the neighborhood that inspired the setting for "Porgy and Bess." When it comes to accommodations, there is an embarrassment of choices in Charleston, choc-a-bloc with historic inns. Opting for a modern red-brick hotel seems on the face of it bizarre, but Orient Express endowed its award-winning Charleston Place property with the kind of luxurious and festive atmosphere that must have prevailed in the heady, prosperous years of the Confederacy. Rooms are large and opulent, and the hotel's grill room, presided over by double-Michelin-starred Bob Waggoner, offers a sumptuous dining experience.
But perhaps the finest food in the state is to be found at the Beaufort Inn, a favorite haunt of Tom Hanks, who filmed "Forrest Gump" in this delightful little seaside town, an hour's drive south of Charleston. Like Charleston, Beaufort boasts a plethora of historic mansions but is a lot sleepier. One of its greatest charms is access to the marshy sea islands where the world's finest cotton was once grown. Since the abolition of slavery the area has become a hotbed of African American culture; check out the acres of colorful and highly collectible folk art on view at the Red Piano Too gallery on St. Helena Island before continuing to Hunting Island State Park with its primeval jungle, wild beach and lighthouse. Lazybones might never get beyond the verandah of the beautifully appointed Beaufort Inn or the delightfully indolent urban pursuits -- browsing excellent bookshops, fressing sundaes in the old-fashioned ice cream parlor or taking a slow Carolina horse-drawn buggy ride round town.
Golfers and serious shoppers are lavishly catered to nearby on swanky Hilton Head Island, with its pricey top-end resorts, championship courses and designer malls, but there is less specialized and more affordable seaside entertainment on offer a couple of hours' drive north at Myrtle Beach, which must be America's largest and most economically democratic resort. The Grand Strand, a fabulous stretch of wild, wide white beach stretches 60 miles from Shag, where the young and funky crowd hang out, all the way down to much posher Pawley's Island. This may be the pleasantest place to stay, thanks to the Litchfield Plantation Inn, which offers period rooms, contemporary cottage and haute cuisine. Many guests never get beyond their private deck beside a creek lined with live oaks dripping Spanish moss, the state's most evocative attribute. But it's worth a 35-minute drive to seek out the high-quality live entertainment for which Myrtle Beach is famous, including top-class variety with a country twist at the Carolina Opry, Dolly Parton's hokey North-vs.-South Dixie Stampede, tribute bands at Legends, and top rock and R&B acts at the House of Blues, where live music is served up free to outdoor diners and the folk art collection alone demands a trip. Culture vultures will enjoy the sculpture trail at nearby Brookgreen Gardens, where some magnificent 19th and 20th century pieces are displayed in a verdant setting.
Note that travel into the Carolinas is painless now with the opening of Charlotte as a gateway, its airport compact, efficient and a fine introduction to southern friendliness.
Courtesy of featurewell.com.