June 10, 2009
The sins of the father are visited on the child in “East of Berlin,” a play about the emotional agony suffered by the son of a Nazi war criminal, which is making its United States debut at the NoHo Arts Center in North Hollywood after taking Canada by storm two years ago.
Remember the classic line from the 1987 hit movie, “Dirty Dancing,” when the lower-class Johnny Castle (Patrick Swayze) walks up to the cosseted Jewish girl, Frances “Baby” Houseman (Jennifer Grey), and in front of her parents says, “My Baby belongs to me. Is this clear?”
Heads turn as Meital Dohan strolls into the café at the Viceroy Santa Monica hotel, wearing a miniskirt and high heels.
Iris Bahr’s “Dai” (Hebrew for “Enough”), a one-woman play about 10 people at a Tel Aviv cafe moments before a suicide bombing.
When the Geffen Playhouse commissioned a new piece from Donald Margulies five years ago, the award-winning playwright bided his time.
"Irena's Vow" is the story of Irena Gut Opdyke, a young Polish Catholic woman who took unimaginable risks and paid an unspeakable personal price to save the lives of 12 Jews by hiding them in the basement of the villa where she was virtually enslaved by a German major during World War II.
As an "accidental Mexican" born to an Eastern European family, author and essayist Ilan Stavans has hurdled critics to become one of the nation's foremost commentators on Latino culture. As a Mexican American, he has written widely on immigration, the clash and fusion of languages and the quest for acceptance.
As a child, Emily first performed in the choir at her Reform temple in Roslyn, N.Y., where she sang at children's services and Jewish camp. She continued to perform in high school; but studying acting at New York University did not mesh well with her intuitive approach to theater, she said.
He realized that even though he had just been told he had cancer, he hadn't been told he was going to die. To prove it, he was going to do the one thing that showed he was very much alive, which was to make people laugh.
"It seems that in a musical you would get to know people less -- I actually think you get to know them more" -- Patricia Resnick, writer of "9 to 5"
"I want to make people think and feel a range of emotions —wonder, surprise, nostalgia, delight."
"I had been a student, wife, mother, news executive and caregiver, but I had always promised myself that one day I would be an actor."
Israeli producer-director Uri Paster has four movie and theater projects planned this year
The play opens in the south Hebron hills in the West Bank with Tsahi, an off-duty Israel Defense Forces soldier, pointing his gun at Ismail, a Palestinian shepherd. Having just broken up with his settler girlfriend, Tsahi is lost and seeking a way back to the main road. Ismail, waiting for his girlfriend, is the only one who can help Tsahi find his way.
One day, when Leigh Silverman was 15 and the youngest student in a college summer drama program, her teacher pointedly asked her to stay after class.
"She said, 'Leigh, you shouldn't be an actress; you're terrible,'" Silverman, now 33, recalled with a laugh. "I was horrified. But then she said I had good insights about the plays, and that instead of acting I should be her assistant.
Always in the background lurks the threat of "Gentleman's Agreement," produced by Darryl Zanuck, the only non-Jewish studio chief, and starring Gregory Peck as a WASP who pretends to be a Jew.
The characters reveal their stories through a mixture of singing and dancing -- with some pantomime thrown in. Hamlisch said that from the beginning the creators felt that certain stories were best told through song, others through dance.
"When I was 14, I saw the first national tour of 'Crazy For You,' she said. "I saw that show and that's what made me want to be a dancer. It was the most wonderful thing I've every seen."
It was 1985, and many of the Ethiopian Jews who'd been airlifted from Sudan were being housed in a hotel in Netanya, Israel. When writer Sonia Levitin entered the temporary nursery, she was particularly struck by all the babies and toddlers who'd been born since their families had arrived.
Hollywood ragtime sweetie Janet Klein sings a 1920s Tin Pan Alley tragedy -- tailor Izzy Cohen visits Honolulu, falls in love with the hula hotties, and writes wife Becky that he won't be back no more.
New book looks at what makes people successful
In the defining moment of Sara Felder's performance piece, "Out of Sight" -- about a mother and daughter who clash over the Israeli-Palestinian conflict -- she juggles machetes while precariously balancing on a rola bola.
In 1909, an impoverished Jewish immigrant arrived in Hamilton, Texas, hawking 1-cent bananas from his pushcart.
Haskell Harelik had fled Russia to escape pogroms, docking not in Ellis Island but in Galveston, Texas, via a plan to route Eastern European Jews to the West. He spoke no English and was the first Jew the Hamilton residents had ever seen. But he found some friendly faces, and he stayed in that Baptist town, founding a dry goods store and raising three sons there.
We think of Albert Einstein, and we conjure up the image of a frail, unkempt and absent-minded old man, but a visit to the Einstein archives at Caltech provides quite another picture.
The man who radically transformed our understanding of the universe was adored by women, at 23 fathered an illegitimate child and after marriage had a few side flings with other women.
"Everything I write is a question of identity," Jonathan Tolins says over tea after a yoga class in Sherman Oaks. "What choices do you have? What roles do you take on?"
"Showing Our Age" is a play about stories, and the fact that everyone has one. It's a project that I started more than 10 years ago, though not specifically as an idea for a play. I was a participant in a community outreach program in which we interviewed senior citizens, used their remarkable life stories to write monologues and then performed them for the seniors and their families. The simplicity of just the details of a life -- without sets or costumes -- created some of the most powerful theater I had ever been involved with. And I have been involved in theater for a very long time, as an actress, writer, director and teacher. I wanted more! I wanted to take this idea and expand it.
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