September 11, 2012 | 10:34 am
Posted by Naomi Pfefferman
David Geffen, the notoriously press-shy billionaire Hollywood mogul, stared at me as if I had asked him to yank out a tooth. The setting was PBS’ summer 2012 press tour, on July 22, and Geffen was there to talk about the “American Masters” documentary, “Inventing David Geffen.” I asked him how his Jewish background had influenced his marked commitment to philanthropy.
The 69-year-old music and movie industry maverick brusquely replied that his parents had met in Palestine, his mother had arrived in the United States in 1931, and that his parents “were socialists. … I was bar mitzvahed, but we didn’t have much of a religious life at all.
“Does that not answer your question?” he added, icily. When I pressed him further, he snapped, “My parents were poor. They weren’t into philanthropy.” And also: “I would think that everybody’s childhood is an influence on what happens in their future, don’t you think?”
Just then, Susan Lacy, the creator of the “American Masters” series and the filmmaker behind “Inventing David Geffen,” mentioned a story she wanted to tell about Geffen’s mother, Batya. “She wants me to talk about how my mother’s family was killed. Let’s not,” Geffen said. Lacy managed to get in that the perpetrators had been the Nazis, before Geffen cut her off and moved to other questions — a number of which he also dismissed.
After the press conference, I met with Lacy, 63, who had gotten Geffen to open up significantly about numerous subjects in her fine documentary — including the gay mogul’s torrid heterosexual relationship with Cher.
Lacy said she had very much wanted to interview Geffen about his family’s wartime experience, in part because her own father’s German family had died in the Shoah. “Growing up I was obsessed, and I still am obsessed, with the Holocaust,” Lacy said. “I had nightmares for a long, long time; I would see the Nazis coming to get everybody. It had such a profound impact on me that I thought it might also have had an impact on David.” Was the subject too painful for Geffen? “Whether it was or not, he wouldn’t talk about it, and I respected that,” Lacy said. “I got him to talk about almost everything [else],” she added.
Lacy had learned a bit about the Geffens’ experience from other sources: “David’s mother, I think, had gone out of town, when the Nazis were marching into that part of Russia; and as they were coming, the townspeople rounded up her whole family and shot them,” Lacy said. “David’s mother ended up going to Palestine and didn’t know for a very long time what had happened to her family; but there was a sister who also survived who [told her]. And when his mother got the news, she had a bit of a breakdown for six months, when David was a little boy. And David just doesn’t like to talk about it; for one reason or another he’s uncomfortable.”
Geffen did talk about the issue in some depth with Tom King, author of “The Operator: David Geffen Builds, Buys and Sells the New Hollywood” (2000); it’s a biography Geffen initially endorsed before abruptly canceling further interviews, King writes in the introduction to his book.
The biography recounts how Geffen’s mother worried when her parents did not answer letters she mailed from New York to their home in Tiraspol, Ukraine. After the war, Batya’s sister, Deena, phoned from the Soviet Union with unsettling news: “I am the only one alive. Everyone else is dead,” she said. Most of their relatives had been shot in the September 1941 massacre at Babi Yar, the enormous ravine outside Kiev that had become an infamous execution site. According to King’s biography, Batya did not tell David and his older brother about the tragedy, but repressing the news eventually led her to have the breakdown, requiring her to spend months in the psychiatric unit at Kings County Hospital. She eventually recovered and became a successful businesswoman.
Of Geffen’s Jewish identity, Lacy said, his family members “were Jews, and everybody in his Brooklyn neighborhood was either Jewish or Italian; that’s the only thing he really talks about. He’s culturally Jewish but he’s not [religious], which is true of a lot of people.”
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