Once, on a mission to Israel, we needed a minyan for a prayer service during the airplane flight. We were a total of six men in our group, so we began to scan the plane for the remaining four for the requisite 10 men.
As you approach the Barbara Mendes Gallery on South Robertson Boulevard, you know you’re in for an experience. The brightly colored, psychedelic exterior of the little gallery in the SoRo neighborhood doesn’t cry out Jewish art, and neither does the gallery’s proprietor at first glance. Barbara Mendes looks every bit the ex-hippie, from her tie-dyed clothes to her funky glasses, but when she opens her mouth and starts chattering about kashrut and the Tehillim, you realize that you’re speaking to a woman who’s been on a journey to finding her very Jewish self and her Jewish art.
At the ripe age of 8, I learned the Peter Allen song “Everything Old Is New Again.” It may have been an unusual choice for an 8-year-old to crave hearing over and over. But for me, this song was synonymous with dance class, doing the soft shoe that landed me on stage for the annual spring recital: “Don’t throw the past away, you might need it some rainy day, dreams can come true again, when everything old is new again.”
In 2008, the Los Angeles Times ran an op-ed written by Marisol Leon, a young woman who graduated from Yale in 2007 and returned to teach in the same public middle school she had attended:
My wife met a pastor’s wife on a plane. Every few months now, we have Darren, an evangelical pastor, and his wife, Amy, over to our Shabbat lunch table.
This week, we begin "Vayikra," the first book of Leviticus, the third book of the Torah. This section of the Torah is filled with many fascinating and important Torah concepts that we can relate to, including the laws of lashon hara (the prohibitions against speaking ill of others), kashrut (keeping kosher) and the well-known phrase: "Love your fellow as yourself."