Since the klezmer revival exploded a quarter century ago, the Ashkenazi musical tradition has experienced more variations than deli sandwiches. There has been klezmer-infused jazz, hip-hop, bluegrass and most any other permutation one can imagine. But as klezmer has morphed from shtetl to nightclub fare, one of the most unusual things it has added is women, said musician-scholar Yale Strom.
"Traditionally, the purveyors of Yiddish songs and culture were women, but that didn't occur outside the home," said Strom, author of "The Book of Klezmer" (Chicago Review Press, 2002). "Women did not play in klezmer bands because of the Orthodox prohibition against hearing a woman's voice and because nice Jewish girls stayed home."