Several weeks before he was to receive the lifetime achievement award from the Writers Guild of America, West, Eric Roth was in his study in Malibu conducting a breezy conversation that veered from his communist Jewish parents to his Oscar-winning screenplay for “Forrest Gump.”...
What San Gabriel’s Padres taught William Mulholland
House rejects stopgap security agency funding, partial shutdown looms
Reflecting on my trip to Birmingham with The Temple
LAUSD board race a study in polarization
Iran nuclear talks advancing, no deal likely next week
Russian opposition leader Boris Nemtsov shot dead in Moscow
My interview with Leonard Nimoy
‘Kosher Soul’ plays on stereotypes — amusing some, angering others
January 26, 2012 | 1:05 pm
February 20, 2011 | 3:09 pm
December 14, 2007 | 9:49 pm
The Jewish Journal’s senior writer, Brad A. Greenberg, asks Pulitzer Prize-winning author Michael Chabon about his “frozen chosen” hit “The Yiddish Policemen’s Union,” about being called an anti-Semite and about being comfortable as a geek.
July 5, 2007 | 8:00 pm
February 8, 2007 | 7:00 pm
August 19, 2004 | 8:00 pm
At the Humanitas Prize awards luncheon in Universal City earlier this summer, Jacob Aaron Estes picked up a $10,000 cash prize honoring the screenplay for his Paramount Classics film, "Mean Creek," which opens this weekend.
When asked what he would do with the money, the...
November 20, 2003 | 7:00 pm
When producers Sean and Bryan Furst met Wayne Kramer in 2001, just about everyone had rejected his Las Vegas fable, "The Cooler." The screenplay was a hard sell, "because it defies any specific genre," Bryan Furst said. "It's not a mob flick, it's not a comedy or a love story, but...
April 10, 2003 | 8:00 pm
When Lainie Kazan first read the screenplay of Nia Vardalos' "My Big Fat Greek Wedding," now a frothy CBS sitcom, she could relate.
Vardalos said she based the characters on her large, "loud, always-eating Greek family that loves me to the point of suffocation." And Kazan, who...
May 2, 2002 | 8:00 pm
When I write a screenplay, I start out with an agenda. I decide who my hero is first and who is the villain. Then I fashion scenes to build my dramatic case and make it believable. That is, I believe, exactly what occurred with regard to at least two reporters, Sheila MacVicar of CNN...
January 17, 2002 | 7:00 pm
In the 1940s, when Burt Lancaster and Harold Hecht formed their production company, Hecht-Lancaster, they optioned debut novels by two young Jewish writers: "The Naked and the Dead," by Norman Mailer and "Burial of the Fruit," by David Dortort. Dortort and Mailer were hired to adapt...
October 19, 2000 | 8:00 pm
Back when Rod Lurie was the meanest film critic in L.A., he used to gush about actress Joan Allen on his KABC radio show. The guy who once called Danny DeVito a "testicle with legs" lauded Allen as "the greatest working actor in the world." "I'd manage to slip that in every other...
November 4, 1999 | 7:00 pmBack in 1991, David Brenner was king of the comedy mountain.
The comic had appeared well over 100 times on the "Tonight Show," which he often guest-hosted in the 1970's and '80's. He enjoyed lucrative Las Vegas appearances and was a perennial guest on TV shows like "Letterman."
August 28, 1997 | 8:00 pm
Veteran television writer/producer Saul Turteltaub had to wait 44 years for his first film credit, "For Roseanna," starring Mercedes Reuhl and Jean Reno.
Saul Turteltaub, a name-brand television comedy writer and producer for 44 years, remembers submitting his first movie screenplay....