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The Warners predicted, correctly, that "The Jazz Singer" would be "without a doubt, the biggest stride since the birth of the industry." But the film's importance may not rest solely on the fact that it was the first sound film. It was also the first film to boldly address the assimilation of immigrant Jews into American culture.
I hate to admit it, but after decades of writing about Jewish-themed movies, I had only the vaguest notion of the National Center for Jewish Film (NCJF), but executive director Rivo filled me in.