With the introduction of photography in 1839, pioneer practitioners of the nascent medium flocked to the Holy Land, expecting the glorious biblical scenes imagined by Renaissance painters, but finding instead mainly dusty villages and a largely ramshackle Jerusalem.
An annual Jewish film festival; a week of performances by world-class klezmer acts; the construction of a $26 million Jewish museum in the country’s capital; “Tot Shabbat”: This is the stuff of Jewish communal life in many American cities.
The Getty Center's upcoming exhibition "Holy Image, Hallowed Ground: Icons from Sinai" (Nov. 14-March 4) provides a great opportunity to ponder these religious confluences, while also coming almost face-to-face with some of the earliest, and most beautiful, images in Christian art.
"I definitely stand out," says Bina Hager, 17, of Hancock Park.
And it's not just because the YULA senior is a strapping 5-foot-10 tall. Consider, for example, the cubist self-portrait that hangs upon her bedroom wall. Or the wildly colored abstract paintings, all Hager originals. Or the 6-foot-high punching bag and the gloves in one corner.