Greenberg's View
Editorial Cartoon: The First Offering
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" . . . I am just an average person that fits the person you describe in "Post-Palin Depression." I do not have a therapist, but I have been in depression for almost two weeks now . . . "
But as much as she loves the pulpit, Naomi, like me, finds the modern synagogue problematic. She believes that Judaism offers people a sense of purpose, a mission to heal society and a fulfilling spiritual path, but that too often standard synagogue services don't attract or inspire Jews, much less compel them to commit to a community.
For as long as rabbis have been arguing Talmud, their wives have been at home preparing Shabbat dinner. Yet that image, along with expectations for clergy spouses, has evolved. For one, they're no longer all women. They're no longer always hovering in the background. And they're not always different genders.
Photo: Rabbi Brian, Rabbi Deborah and Heshel Schuldenfrei
Although it might seem that being both rabbis and rabbis' spouses would be the most challenging role of all, the Schuldenfreis have found a collegiality in their home that, had they married anyone else, they would miss.
What Ellman does or says, or even how their children behave, can be a reflection on the rabbi. There's a risk in being completely open with people, Ellman said, as there's always a possibility for distortion.
Initially, Bouskila harbored reservations about joining a large congregation. Her sister, who also is married to a rabbi, wound up in a community that was so unfairly demanding that the couple left and moved to Israel.
More than rabbi and rebbetzin, they serve as a model married couple for hundreds of Jewish students.
Marjorie Pressman came of age in the heyday of the "traditional" rebbetzin -- the 1950s mold of women raising children, maintaining a kosher home and (quietly) supporting their husbands from the background.
As the husband of a groundbreaking female rabbi who earlier this year was named among the most influential rabbis in the country by Newsweek, Light isn't threatened by reverse gender roles. His wife is the primary breadwinner, and he the primary caregiver.
Filmmaker Debbie Goodstein has taken to heart the adage, “Write what you know.” Her 1989 Holocaust documentary, “Voices From the Attic,” recounts her mother’s years of hiding in a garret where snow descended through slats in the roof, a baby died and food was scarce.