\”It\’s All True\” (Simon & Schuster, 2004) by David Freeman offers us a portrait of an outsized Hollywood, so unbelievable that it must be dead on. It is, more precisely, a novel, lovingly unfolded about the movie business: How it works and how its players — adults spoiled by too much money and power — act out their lives. \”Oh me-oh, my-oh,\” as Henry Wearie would say.
Wearie is the novel\’s hero. He is actually a fictitious character, a screenwriter trying to hustle a script idea into a movie deal, but in a voice that sounds eerily like that of Freeman, who himself is a screenwriter. In its way, this book serves as a more knowing successor to Freeman\’s earlier work, \”A Hollywood Education,\” published 18 years ago, after the author had moved to Los Angeles from New York.