Greenberg's View
Editorial Cartoon: The First Offering
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" . . . Yes, there are times when it is a judgment call and a good one to make: Carlin was the exception to the rule. Though he was not Jewish, he was Jewish enough to be included in The Jewish Journal. I enjoyed the article . . ."
Renowned Israeli director Amos Gitai acknowledges that his film, "Kadosh," raises ire in segments of the observant community. "It's critical of certain elements of Jewish tradition that I consider to be reactionary," says the filmmaker, whose movie tells of two oppressed Orthodox women in Jerusalem's Mea Shearim. "But it's not a total denial. It's precise."
Where others saw three Orthodox women in groundbreaking careers and stylish hats, Rachel Pollack, 17, perceived something more. She had found role models.
Ruth Neal, coordinator of Ezras Bayis, has seen Orthodox womenwho have been bitten, shoved, slapped, punched, spit at, scalded withhot chicken soup, threatened with a gun, pushed down a flight ofstairs. Wood cut by Kathe Kollwitz from "German ExpressionistWoodcuts," 1994.
Filmmaker Debbie Goodstein has taken to heart the adage, “Write what you know.” Her 1989 Holocaust documentary, “Voices From the Attic,” recounts her mother’s years of hiding in a garret where snow descended through slats in the roof, a baby died and food was scarce.