When talking about Elie Wiesel, who turns 85 on Sept. 30, it is far too easy to fall into a list of superlatives. As a child who survived Auschwitz and other concentration camps, Wiesel witnessed more death and more horrors than most human beings ever will. A onetime journalist who wrote for Hebrew- and Yiddish-language newspapers, starting in the 1950s, Wiesel has gone on to publish more books than most writers ever do, including “Night,” which has become the second-most widely read work of Holocaust literature in the world.
The madness always calls him back. You only have to glance at Elie Wiesel’s tortured face to know that he is always at risk. Even after the countless novels and the Nobel Peace Prize.
If you like your satire dark, I mean jet black, you probably love the scene from episode four, season four of “Weeds,” in which Len Botwin, played by Albert Brooks, gives a history lesson to his young nephew Shane.
On Nov. 17, some 20 devout Muslims from the King Fahad Mosque bowed and prostrated themselves as they recited the Isha, or night prayer, at Temple Emanuel of Beverly Hills, with about 80 Jews watching the unfamiliar ritual. At the same time, in another room of the Reform temple, Jewish congregants participated in the Ma'ariv evening prayer, watched respectfully by a group of Muslims.