It’s no secret: as a people, we wander. Lawrence Baron discusses the various migrations of Jews in world history and how global cinema has portrayed these movements. Author of “The Wandering View: Modern Jewish Experiences in World Cinema and Projecting the Holocaust Into the Present,” Baron knows a thing or two about Jews and movies.
While reviewing “The Gallery of Vanished Husbands” by Natasha Solomons (Plume Original), the bestselling author of “The House at Tyneford,” I was also reading Ralph Ellison’s, “The Invisible Man,” and the thought occurred to me that invisibility can take many forms that might have nothing to do with skin color.
Natasha Solomons is a British writer whose first novel, published in the United States in 2010 as “Mr. Rosenblum Dreams in English,” should have received a wider readership. Inspired by the experience of the author’s grandparents, European Jews who fled Nazism for safety in England, that novel focused largely on the challenges and conflicts of assimilation.