Opera director Barrie Kosky didn’t like Mozart’s “The Magic Flute” when he first saw it at age 10. Mozart’s Singspiel — a genre of opera characterized by spoken dialogue, along with singing — was a big hit in 1791, and the composer himself goofed around on stage during some of the performances. Ideally, given its broad comedy and fantastical characters, the opera should be able to engage kids.
It’s a long way from Kibbutz Dalia, where Rachel Frenkel was raised, to the Walt Disney Concert Hall in downtown Los Angeles, but the mezzo-soprano is completing that journey this week.
"Mozart does not belong to any nation. It would be a total misunderstanding for anyone to lay claim to Mozart," said Peter Marboe, Vienna Mozart Year artistic director. "That makes it obscene that the Nazis should claim him as an example of a great German artist and all the while hide his Jewish collaborators."