Bridging the shores of the Mediterranean and the Pacific, entrepreneurs, investors, executives and tech enthusiasts from around the world converge on this two-day annual gathering at the Luxe Hotel on Sunset to learn about Israeli businesses and discover the next big trend.
America’s largest community service festival, which started in 1999 as Temple Israel of Hollywood Mitzvah Day, attracts nearly 50,000 people from every neighborhood, race, religion, ethnicity and socioeconomic group to hundreds of projects in communities across Southern California. Volunteer projects include such activities as planting gardens at schools, fixing up homeless shelters and sprucing up dog parks. Big Sunday Weekend also features concerts, book fairs and blood drives. Fri. Through May 5. Various times. Free. Various locations. (323) 549-9944.
Twelve artists explore personal spiritual healing in the works on display in this new exhibition.
How can a dubious and unoriginal Israeli movie become the darling of the film world and even get nominated for an Academy Award?
Everyone’s favorite certified circumcised private dick is poised for a big return. Nearly 10 years after “The Hebrew Hammer” hit theaters in 2003, there’s talk of a sequel featuring the titular Orthodox hero. Filmmaker Jonathan Kesselman, a native of Van Nuys, is eyeing a May shoot for “The Hebrew Hammer vs. Hitler.”
Writer and actor B.J. Novak (“The Office,” “Inglourious Basterds”) shares original pieces of comedic fiction in advance of an upcoming collection. Co-star, writer and producer of “The Office,” Novak has a sensibility that draws on a range of influences, from “Saturday Night Live” and “Monty Python” to Woody Allen and the notable anthology “The Big Book of Jewish Humor,” which was co-edited by his father. Sat. 10 p.m. $10. Upright Citizens Brigade Theatre, 5919 Franklin Ave., Los Angeles. (323) 908-8702. losangeles.ucbtheatre.com.
Set in 1930s Algiers, this animated adaptation of the beloved series by French comic-book artist Joann Sfar tells the story of a widowed rabbi, his beautiful daughter and a cat that swallows the family parrot and gains the ability to speak.
In addition to the traditional family and feel-good holiday films, this season offers a small selection of unexpectedly provocative productions.
Two documentary films, each touching the Holocaust era and celebrating the courage and devotion of non-Jews, are screening in Los Angeles. The first is about Leopold Engleitner, bright-eyed and lucid at 107, who spent 11 years in and out of prisons and Nazi concentration camps, and, after a flight from Vienna to Los Angeles, is ready for his personal appearance tour.
With the U.S. presidential election looming large, we thought we'd look at the best 10 movies focusing on politics. Many of these films are quite old, but that's not a huge detriment. Writing and acting play huge roles in politics, and political films rely on the same fundamentals. The stories all involve the basic elements of human character, integrity, morality, honesty--and the complete lack of any of those traits.
This has been a good year for filmmaker Ira Sachs. His new feature, "Keep the Lights On," received a nomination for the Grand Jury Prize at the Sundance Film Festival and won the prestigious Teddy Award at the Berlin International Film Festival. And while the intensely personal, autobiographical film centers on a tumultuous love affair between two men, Sachs believes audiences will relate to the human experience of relationships shared by all couples.
The annual Israeli Film Festival will for the first time be screened in major Australian cities beyond Sydney and Melbourne.
Here’s this week’s not-so-crazy idea: Let’s all pitch in, just a few dollars each, and fund Woody Allen’s next movie — in Israel.
He's better known for big studio comedies like "Superbad" and "Pineapple Express", but Seth Rogen strays from his beaten path when he stars in the low-budget comedy-drama "Take This Waltz."
Once again, there is rich fare to be unearthed for the summer season, despite the glut of over-the-top and youth-oriented commercial product. Documentaries abound, some of which have intensely political or social implications, while others deal, in sleuth-like fashion, with searches that end in unexpected places or uncover unpleasant truths.
Veteran film director Woody Allen on Monday announced an all-star cast for his next yet-to-be-titled project, led by Oscar-winner Cate Blanchett, comedian Louis C.K. and actor Alec Baldwin.
L.A. photographer and filmmaker Sharon Lockhart’s new exhibition at LACMA focuses on the late Israeli dance composer and textile artist Noa Eshkol, who co-created the groundbreaking Eshkol-Wachman Movement Notation system in the 1950s and developed a dance system based on its use of symbols and numbers to define the movement of any limb around its joint.
Woody Allen will play a pimp who irks his Chasidic neighbors in a movie directed by John Turturro.
In his latest film, Israeli writer-director Joseph Cedar has created a drama of personal controversy. He explores spirit, resilience and responsibility. “Footnote” tells the story of a father, embittered by his life and angered by the success of his son. That son, though publicly applauded, is in turn challenged by the not-fully-formed third generation—his son.
Casting director Heidi Levitt had to fill more than 60 character roles for “The Artist,” the Oscar-nominated film about a 1920s silent movie star (Jean Dujardin) in Hollywood whose career spirals downward with the advent of sound, just as his protégée (Bérénice Bejo) reaches the height of stardom.
Most 43-year-old film directors/screenwriters cannot say that half of the films they have made were nominated for Academy Awards. Joseph Cedar is an exception to that rule. The 43-year-old Cedar, born in the United States but raised in Israel, just secured his second Oscar nomination this week, making it two out of the four major films he has directed being nominated for the coveted award.
For Israel fans, it's all pain and anguish this year at the Sundance Film Festival.
Joseph Cedar’s “Footnote,” Israel’s entry in the Oscar sweepstakes for best foreign-language film, has jumped the first major hurdle by making the shortlist of nine semi-finalists.
This autumn offers a boutique collection of documentaries with wide-ranging and enticing themes. Two of them, in particular, stand out.
Director Lars von Trier has retracted his apology for his expressions of sympathy for Hitler and Nazis at the Cannes Film Festival.
In a back booth at Canter’s, Seth Rogen is digging into his matzah ball soup with gusto as his close friend, screenwriter Will Reiser, sips a glass of club soda.
It’s hard to tell, what with the requisite girdles, supervised weigh-ins and protocol panty hose (“not too dark; this isn’t a cabaret”), that the 1960s world depicted in “Pan Am” is supposed to be about the era’s most worldly women.
In March 1941 -- nine months before the attack on Pearl Harbor impelled America to enter the Second World War -- one colorful American hero already had joined the battle: Captain America.