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Seventy-five years after bursting into the world of comic books, something still feels Jewish about Superman.
More than 20 dramas, documentaries, comedies, foreign language films and shorts will be shown at seven venues from Thousand Oaks to Beverly Hills.
"Fill the Void,” which won Israel’s equivalent of the Academy Award last year, is a love story unlike any Hollywood fare and it is set in a Jewish community unfamiliar to most Jews.
Say goodnight, Earthlings. That message — plus the slimmest of shots at an eleventh-hour reprieve — was announced to the people of the world last week.
Jon Stewart is stepping down from his throne at Comedy Central this summer to direct a film based on a screenplay he wrote.
New York Mayor Edward Irving Koch, universally addressed as “Ed,” was a master of timing and promotion.
The New York Jewish Film Festival closed this week after showcasing 37 films from around the world. Here are a few films to look out for as they travel to other American cities in the coming months.
At only 41, Joann Sfar has enjoyed a meteoric rise in France, rocketing from cartoonist to filmmaker in short succession.
Quentin Tarantino’s "Django" is sparking controversy — and not just for its flagrant use of the n word. According to African-American film critic Tim Cogshell (quoted by Erin Aubry Kaplan in the Times), “The surreal liftoff that happens at some point in ‘Basterds’ [Tarantino’s take on the Holocaust] doesn’t happen here, because of the weight of what’s still real. For example, there’s a certain racial backlash to Obama that’s still going on. Quentin wants this to be a dark comedy, but with [black] history the way it is, you can’t get from here to there in a movie.”
Everyone’s favorite certified circumcised private dick is poised for a big return. Nearly 10 years after “The Hebrew Hammer” hit theaters in 2003, there’s talk of a sequel featuring the titular Orthodox hero. Filmmaker Jonathan Kesselman, a native of Van Nuys, is eyeing a May shoot for “The Hebrew Hammer vs. Hitler.”
The long forecast “Holocaust fatigue” among filmmakers and their audiences has not yet arrived, judging by the entries for 2013 Oscar honors by producers and directors in numerous countries.
I didn’t get around to reading the Dec. 7 issue of the Jewish Journal until late last night, and when I saw the Danielle Berrin column, “Q&A With Bill Maher,” the words of Joseph Welch came to mind when he said to despicable Sen. Joe McCarthy, “Have you no sense of decency, sir?”
The Egyptian-born Coptic Christian who made the anti-Islam film that sparked protests across the Muslim world has no regrets about his insulting portrayal of the Prophet Mohammad, according to an interview with the New York Times.
The Egyptian-born Coptic Christian who made the anti-Islam film that sparked protests across the Muslim world has no regrets about his insulting portrayal of the Prophet Mohammad, according to an interview with the New York Times.
Abraham Lincoln has been dead for almost 150 years, yet suddenly he’s everywhere. At the Skirball Cultural Center, you can see an original copy of the Emancipation Proclamation, signed by Lincoln, amid an impressive array of founding American documents.
"The Flat," a documentary directed by Israeli writer and filmmaker, Arnon Goldfinger, uses a vacant Tel Aviv apartment as a jumping-off point for a journey through history, and a unique look at the way different generations view the Holocaust.
This has been a good year for filmmaker Ira Sachs. His new feature, "Keep the Lights On," received a nomination for the Grand Jury Prize at the Sundance Film Festival and won the prestigious Teddy Award at the Berlin International Film Festival. And while the intensely personal, autobiographical film centers on a tumultuous love affair between two men, Sachs believes audiences will relate to the human experience of relationships shared by all couples.
“The Possession” is off to a devilishly good start at the box office, grossing $21.3 million -- making it the second best opening for a movie on Labor Day weekend after “Halloween” in 2007, which brought in $30.6 million.
Back in 2004, the horror-flicks mogul Sam Raimi was riveted by a Los Angeles Times article headlined “A Jinx in a Box?” which recounted the strange history of a wine cabinet brought to this country by a Polish concentration camp survivor. The box contained “allegedly, one ‘dibbuk,’ a kind of spirit popular in Yiddish folklore,” the article said — as well locks of hair, a rock, a dried rosebud, a goblet and coins.
Funny, serious, and controversial, Woody Allen’s films evoke many emotions—but his Jewish upbringing sticks out in them like a matzo ball in chicken soup.
“Nobody in this world thinks they’re having enough sex,” said director David Frankel, whose film “Hope Springs” spotlights a beleaguered 60-something couple played by Meryl Streep and Tommy Lee Jones. “Watch any night on television, or any comedian in a nightclub, and every other joke is about people who aren’t getting enough. It’s true of people Meryl and Tommy’s age, and it’s true of teenagers — everybody thinks somebody else is doing it more.”
The month of Av has come upon us in a manner true to historical form. Mishenikhnas Av, m’ma’atin b’simha… When the month of Av begins, we are told, we are instructed to diminish our joy. Sadly, a week of violence and tragedy all over the world has done it for us.
My “Spidey Sense” is tingling! Almost half a century after the comic book superhero Spider-Man was conceived by Jewish writer Stan Lee, a Jewish actor named Andrew Garfield will don the red and blue Spandex for the forthcoming cinematic reboot of the Spider-Man franchise.
A picture of a burned Israeli bus appears among images of world terrorist attacks; a newspaper headline on Iranian President Mahmoud Ahmadinejad’s threat to wipe Israel off the map briefly crosses the screen. Those are the few fleeting references indirectly addressing Israel in U.N. ME, the new documentary on the corruption of the United Nations, which came out in theaters, video on demand, and iTunes on June 1.
Polish director Roman Polanski’s next film will be a political thriller based on the Dreyfus Affair.
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