By Joan Alperin-Schwartz
Published on April 30, 2013
By Joan Alperin-Schwartz
Published on February 21, 2013
By Ilana Angel
Published on February 18, 2013
By Joan Alperin-Schwartz
Published on February 13, 2013
By Abe Fried-Tanzer
Published on December 17, 2012
By Pat Sierchio
Published on September 5, 2012
This has been a good year for filmmaker Ira Sachs. His new feature, "Keep the Lights On," received a nomination for the Grand Jury Prize at the Sundance Film Festival and won the prestigious Teddy Award at the Berlin International Film Festival. And while the intensely personal, autobiographical film centers on a tumultuous love affair between two men, Sachs believes audiences will relate to the human experience of relationships shared by all couples.
By Joan Alperin-Schwartz
Published on August 28, 2012
By Joan Alperin-Schwartz
Published on August 22, 2012
By Joan Alperin-Schwartz
Published on August 16, 2012
By Joan Alperin-Schwartz
Published on August 7, 2012
By Joan Alperin-Schwartz
Published on July 26, 2012
By Joan Alperin-Schwartz
Published on July 24, 2012
By Joan Alperin-Schwartz
Published on July 23, 2012
By Joan Alperin-Schwartz
Published on July 18, 2012
By Joan Alperin-Schwartz
Published on July 7, 2012
By Naomi Pfefferman
Published on June 20, 2012
By Joan Alperin-Schwartz
Published on June 15, 2012
By Naomi Pfefferman
Published on June 13, 2012
By Joan Alperin-Schwartz
Published on June 3, 2012
By Joan Alperin-Schwartz
Published on May 31, 2012
By Joan Alperin-Schwartz
Published on May 23, 2012
By Joan Alperin-Schwartz
Published on April 12, 2012
By Joan Alperin-Schwartz
Published on April 10, 2012
Published on March 8, 2012
Published on March 2, 2012
Published on February 23, 2012
Published on February 15, 2012
Published on February 9, 2012
Published on February 3, 2012
Published on January 25, 2012
Published on December 16, 2011
Published on October 27, 2011
Published on September 15, 2011
By Tom Tugend
Published on February 7, 2008
Jewish-Arab relations, sometimes in war, occasionally in love, are frequent themes of Israeli movies, but rarely are they examined with the subtle humor and sensitivity of "The Band's Visit."
At the center of the leisurely action is the Alexandria Ceremonial Police Orchestra, eight Egyptian men in immaculate light-blue uniforms, who have come to Israel to perform at the opening of an Arab Cultural Center in Petach Tikvah.