Barbara Heller likes to refer to herself as a “growing Jew.” The actress/singer has created a biographical show, “Finding Barb,” that traces her life from her dysfunctional family in Boca Raton, Fla., through her disappointing pursuit of an acting career in New York, to her indoctrination into Orthodox Judaism and, finally, to her present state of trying to balance her commitment to an observant life with her professional ambitions.
“The Vote,” the best show in town, opened at 7:45 p.m. on Nov. 29 and, after 23 acts, closed down 60 minutes later. During that one hour, speakers, actors, musicians, singers and dancers commemorated the day, 65 years ago, when the United Nations voted overwhelmingly to partition Palestine into a Jewish and an Arab state.
It’s an age-old, common dilemma faced by adult children of aging parents: What is the right thing to do when those parents begin to lose their faculties? That theme is at the heart of “Surviving Mama,” by playwright Sonia Levitin, which opens Oct. 12 at the Edgemar Center for the Arts in Santa Monica.
Daniel Joseph Martinez has a question, or, rather, he wants you to have one. Well-known as one of the art world’s favorite provocateurs, the Los Angeles native and resident has brought his unique brand of art-as-conversation-piece to Culver City’s Roberts & Tilton Gallery for his first L.A. gallery exhibition in a decade, “I Am a Verb.” But why is Martinez, a non-Jewish artist, getting coverage in the Jewish Journal? Well that’s simple, really; one of the works he made for the show is a series of photos of a hunchbacked, masked man with the Shema tattooed on his chest, along with a Muslim prayer inscribed in Arabic on one arm and a Catholic prayer in Latin on the other.