"The King of Hearts Is Off Again" has already closed after a run at the Odyssey Theatre, but its powerful impact lingers. One is left with a haunting memory of constant, frenetic, often balletic motion, undergirded by frequently dark, dramatic music, which created a pervasive sense of danger and of an impending storm.
Polish journalist Hanna Krall's "The Woman From Hamburg: And Other True Stories" (Other Press, $19) is based on interviews she did that in some way involved the Holocaust. But when one of the 12 stories was recently featured in The New Yorker's fiction issue, an accompanying note explained that her writing is indeed factual.
The 60-something Krall was a reporter for Polityka from 1957 to 1981 when martial law was imposed and her publications were banned. Her award-winning books have been translated into 15 languages, (the English version is by Madeline G. Levine). Yet the boundary between fact and fiction can seem blurred in her work, for Krall writes in an unadorned but intimate style, moving in fractured time, creating a rhythm that might resemble contemporary fiction.