Annabelle Gurwitch and her book, "Fired!: Tales of the Canned, Canceled, Downsized, and Dismissed," which includes the pink-slipped memories of folks like Robert Reich, Felicity Huffman and Bill Maher.
Like many baby-boomers today, I sometimes feel older than Keith Richards up a palm tree. So when Irv and Eddie, my better elders, invite me to go out with them, I tag along, if only to combat creepy self-pity.
Irving Brecher, 91-year-old wannabe-stand-up comic, is nervous. The Doctors Emeritus Society of Cedars-Sinai is at the buffet in the Harvey Morse room, a conference hall where the old practitioners gather every month to hear specialists on subjects like pain control. Sometimes a marine biologist will discuss Darwin.
When Iris Rainer Dart's cousin was diagnosed with schizophrenia decades ago, the illness sent shockwaves through her Jewish family. "They were from the shtetl and superstitious," said Dart, 59, the best-selling author of 1985's "Beaches." "They thought that the illness was a curse, that the parents must have done something wrong and that it was perhaps contagious."
Dart's cousin was spoken of in hushed tones and kept behind closed doors, a fate that haunted the author.
e Fridays, if I'm lucky, I get to eat pastrami with Irv and Eddie at Langer's, the great old delicatessen on Seventh and Alvarado streets across from MacArthur Park. Irv and Eddie are in their 80s, so the fight over the check begins before they even order anything.
The "Encyclopedia of Jewish Humor" includes 14 pages of jokes on death, so when Buddy Hackett passed away in Malibu at 78 on June 30, the chapel at Hillside Memorial Park was packed with every comedy icon that hadn't booked an out-of-town Fourth of July gig.
The scene: Avenue of the Stars, Century City.
The characters: A few older men in a Park Hyatt suite.
The action: They kibbitz
Turner Classic Movies (TCM) is here from Atlanta to interview Golden Age Hollywood figures for an oral history, the Turner Classic Movies Archive Project. TCM's goal is to get all available witnesses to tell their cinematic stories. The project is modeled after the Survivors of the Shoah Visual History Foundation.