The president of the representative body of France's Jewish communities has condemned the new publication of caricatures of the Muslim prophet Muhammad.
Seventy years ago this week, 15-year-old Annie Kriegel was sitting in her Paris high school classroom, taking an exam, when her mother suddenly burst into the room and warned her not to come home—the Nazis were preparing to round up and deport any Jews they could get their hands on.
Gustav Klimt is best known for his famous golden paintings, portraits of society women adorned in jewels and cloaked in gold, and for the flat two-dimensionality of his work that led many to declare it superficial and merely decorative. The Getty exhibition “Gustav Klimt: The Magic of Line” puts a lie to that characterization, demonstrating how Klimt’s work conveys complex emotions and even allegorical ideals.
Who is the hero of a bar or bat mitzvah? It’s the 13-year-old, who, after a day of chanting, speaking and being bear-hugged by distant relatives, sees himself or herself imbued with powers of memory, eloquence and forbearance far beyond that of ordinary teenagers. But how do you help yours to hold on to that feeling?
Guilty. Guilty. Guilty. That's how the judges of The Jewish Journal's first Tu B'Shevat Art Contest feel about having to pick just three winners out of so many terrific entries.
The Holocaust, impossible to grasp in its entirety, has been depicted, in part, through every conceivable format and medium. Two joint exhibitions, now at The Jewish Federation's Los Angeles Museum of the Holocaust, surprise with new and affecting insights into the measureless catastrophe.
During my visit to a refugee camp in Macedonia with a group of 16 American Jews last week, a waif-like girl wearing a dusty black-and-red parka stood on her toes to peer into my notebook.
Letters to Deborah Berger.
If you didn't know that David Rose was one of our priceless assets, proceed to his pen and ink drawings on exhibit at the University of Judaism's Platt Gallery. A look at this lively body of work suggests that virtually everywhere 20th-century Jewish history was being made, David Rose was there.