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Doctorow was wary when the call from Toronto came four years ago. Garth Drabinsky, the maverick theater producer who runs his company like a 1930s movie mogul, had a proposition: He wanted to turn Doctorow's 1975 best seller, "Ragtime," into a musical. Drabinsky had won Tonys and made millions with "Show Boat" and "Kiss of the Spider Woman," and wanted to repeat with "Ragtime."
After the countless ads, fluff pieces and an advance press packet thick enough to choke a horse, the question hung in the celebrity-studded lobby of the Shubert Theatre last Sunday evening: Could "Ragtime" pull it off?