For visitors to the Fowler Museum’s recent exhibition, the show’s catalog, “Light and Shadows: The Story of Iranian Jews” edited by David Yeroushalmi (Beit Hatfutsot/Fowler Museum: $30) will be a keepsake. For those who missed the exhibition, the book captures the sumptuous images and the resonant historical narrative that were on display at the Fowler. Either way, the book is a sumptuous and illuminating work of history.
One way to mark the chronology of the counterculture, a pastime that is beloved by the baby boomers, is by reference to rock festivals. Woodstock and Altamont, for example, are now fully transformed into transcendent symbols of life and death, good and evil, the beginning and end of something. But the real starting point, the uber-festival, was Monterey.