Previously unknown paintings by Henri Matisse and Otto Dix are among a vast trove of Nazi-looted art found in a Munich apartment that includes works by some of Europe's most celebrated artists, German experts said on Tuesday.
It’s hard to believe that Dwora Fried — a native Austrian with unruly, fiery red hair, a lesbian, world traveler, mother of four and daughter of a Holocaust survivor — is able to create artwork just as complicated, dynamic and vivacious as herself, all within a wooden box that’s only 31 centimeters wide, 21 centimeters high and 8 centimeters deep.
Artistic inspiration doesn’t traditionally come from a place of absence. Still, the nearly 50 artists donating works as part of the Anti-Defamation League’s (ADL) centenary anniversary campaign are having no difficulty creating out of a concept centered around the word “without.”
Last August, in conjunction with the beginning of a new seven-and-a-half year cycle of “daf yomi”—the daily study of a double page of the Babylonian Talmud that is observed by tens of thousands of Jews worldwide—Nicholls inaugurated an online “Draw Yomi” project that day-by-day results in a hand-drawn response to what she has studied.
Downtown San Diego is home to plenty of famous attractions — including the San Diego Zoo and The Old Globe Theatre — but, for art lovers, the city also boasts an impressive collection of post-World War II works by internationally recognized Jewish artists like Sol LeWitt, Louise Nevelson and Richard Serra.
saw it all in the mirror
Daniel Rolnik bills himself as “The World’s Most Adorable Art Critic,” and if you speak to him for even a minute, it’s easy to see why. Animated, passionate, whimsical and delightfully upbeat, Rolnik, 24, has made it his mission to introduce people to new and exciting artists, and more recently, to Judaism as well.
There’s an old saying that goes something like this: We spend the first half of our lives running away from home and the rest trying to get back. Consider Homer, way back in ancient Greece, who defined our notion of a life’s odyssey as a journey that begins and ends at home.
An Italian artist reportedly placed a statue of Adolf Hitler in a building outside what used to be the Warsaw Ghetto.
Artists and designers in the United States and Israel are broadening and updating the ways in which we pay tribute to Judah Maccabee through the emblematic menorah, commemorating the miraculous endurance of the fabled lighting oil and the resilience that keeps Judaism’s fire lit, so to speak.
In a small gallery in an ancient house in the village of Qalandiya, between Ramallah and Jerusalem, Khaled Jarrar stands alongside his latest art project placed on a podium: a small soccer ball made of cement.
It’s an age-old, common dilemma faced by adult children of aging parents: What is the right thing to do when those parents begin to lose their faculties? That theme is at the heart of “Surviving Mama,” by playwright Sonia Levitin, which opens Oct. 12 at the Edgemar Center for the Arts in Santa Monica.
As the citizens of the United States enter the home stretch of the quadrennial presidential elections, the Skirball Cultural Center is presenting four simultaneous exhibitions to show how the experiment in American democracy was born and how it is faring some 236 years later.
Daniel Joseph Martinez has a question, or, rather, he wants you to have one. Well-known as one of the art world’s favorite provocateurs, the Los Angeles native and resident has brought his unique brand of art-as-conversation-piece to Culver City’s Roberts & Tilton Gallery for his first L.A. gallery exhibition in a decade, “I Am a Verb.” But why is Martinez, a non-Jewish artist, getting coverage in the Jewish Journal? Well that’s simple, really; one of the works he made for the show is a series of photos of a hunchbacked, masked man with the Shema tattooed on his chest, along with a Muslim prayer inscribed in Arabic on one arm and a Catholic prayer in Latin on the other.
Last April, just inside the entrance to the “Salute to Israel” Festival at Rancho Park, the National Council of Jewish Women set up a large tented area where it sold all sorts of secondhand items from its thrift stores: clothes, Judaica, kitchenware, art.
West Hollywood’s celebration of the written word features more than 220 authors and artists. Speakers include “Saturday Night Live” alum Rachel Dratch (“Girl Walks Into a Bar”) and comedy writer David Misch (“Funny: The Book”); Journal columnist Bill Boyarsky (“Inventing L.A.”); political commentators Robert Scheer (“The Great American Stickup”) and Nancy L. Cohen (“Delirium”); novelists David Brin (“Existence”), Seth Greenland (“The Angry Buddhist”), Tod Goldberg (“Living Dead Girl”), Gregg Hurwitz (“The Survivor”), Stephen Jay Schwartz (“Beat”) and Jerry Stahl (“Pain Killers”); and children’s writers Amy Goldman Koss (“Side Effects”) and Eugene Yelchin (“Breaking Stalin’s Nose”).
The sukkah in the backyard of Leat Silvera’s home in the Beverlywood neighborhood of Los Angeles is up a little early this year. It’s not because she’s trying to get a jump on the holidays; it’s because she needs a place to look at her work — three large sukkah wall hangings that she designed herself.
In her solo show, “Silent Witnesses,” Stephanie Satie portrays four women, all childhood survivors of the Holocaust, who share their stories as a celebration of the human spirit. The idea for the play, which will be staged on Sept. 20 at the South Pasadena Library, came to Satie when she was performing at a fundraiser for Child Survivors of the Holocaust, Los Angeles.
As you approach the Barbara Mendes Gallery on South Robertson Boulevard, you know you’re in for an experience. The brightly colored, psychedelic exterior of the little gallery in the SoRo neighborhood doesn’t cry out Jewish art, and neither does the gallery’s proprietor at first glance. Barbara Mendes looks every bit the ex-hippie, from her tie-dyed clothes to her funky glasses, but when she opens her mouth and starts chattering about kashrut and the Tehillim, you realize that you’re speaking to a woman who’s been on a journey to finding her very Jewish self and her Jewish art.