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Jewish Journal

  • Through the lens of Helmut Newton

    by Tom Teicholz

    May 29, 2013 | 1:11 pm

    “Here They Come II, Paris,” from the series “Big Nudes,” 1981. © Estate of Helmut Newton

    Many years ago, on Jan. 23, 2004, to be precise, I was...

  • Full of sound and fury: Bloch’s ‘Macbeth’ opera gets a rare airing

    by Rick Schultz

    May 29, 2013 | 11:55 am

    Ernest Bloch, the renowned 20th century Swiss-born American composer, wrote just one opera, “Macbeth,” and it has rarely been produced in the United...

  • AJU’s Geller Fest spotlights the arts

    by Jared Sichel

    May 29, 2013 | 11:40 am

    In a new venture into presenting the arts, American Jewish University (AJU) will hold its first-ever Geller Festival of the Arts this summer, drawing...

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  • ‘Minister’ puts the (English) accent on politics, American style

    by Jonathan Maseng

    May 29, 2013 | 11:37 am

    Jonathan Lynn wants to know what an egg cream is. Sitting in Jerry’s Deli in Westwood on an absurdly hot day in early May, he’s less interested in...

  • Roman Polanski gives his side of the story

    by Pat Sierchio

    May 29, 2013 | 10:39 am

    “People that don’t know me have an opinion of me that comes from the media. And that’s so far remote from what I am that I can’t even try to straighten...

  • The fabric of dance at LACMA

    by Jonathan Maseng

    June 13, 2012 | 12:48 pm

    When artist Sharon Lockhart traveled to Israel in 2008, she wasn’t searching for Noa Eshkol. The Israeli dance composer and textile artist was not...

  • When art imitates art

    by Tom Freudenheim

    June 13, 2012 | 12:34 pm

    There’s a vast difference between history and historical fiction. I tend to prefer the latter, finding myself in awe of writers who can carry readers...

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