"I first got involved with camp when I was 7 years old. I didn't know I had it when I was 7. I was living with a foster parent, and she just brought me here," Cooperawls began.
"As I got older, I started to have a clue, wondering 'Why am I here?' and 'Why am I taking meds?' and 'Why am I going to the hospital?' It all just added up, and one day, my father came to me and said, 'Stephon, I just want to tell you something: You have HIV.'"
Cooperawls, a 17-year-old African American, was born with HIV. And like many of the children between the ages of 6 and 20 who have passed through Camp Pacific Heartland or its sister arts camp, Camp Hollywood Heart, he is battling what is considered one of the greatest epidemics of our time.
Cooperawls is both infected and affected by the disease: his biological father died of AIDS, and his mother, who abandoned him as an infant, is also infected.
"When I found out I had it, I always thought I was just going to up and die one day, but I've learned that you're not going to die. You die when it's your time to go," he said.
But nobody is going anywhere this week. Nestled high in the Malibu Mountains at Wilshire Boulevard Temple's Gindling Hilltop Camp, Cooperawls and the other campers enjoy what many call the best week of their lives. It is the one week of the year when they are free from judgment in a place where they can swim and use the bathrooms without any erroneous worrying about disease transmission, and where they make new friends with whom they can share their secret.
It is an empowering and life-altering experience for each camper, but it has also transformed the life of David Gale, the Hollywood executive whose quest for meaning brought Camp Heartland to Southern California.
"Every one of us asks what our purpose is in life," Gale said, reflecting on what this experience has meant to him.
"Very often, it's your career, maybe your family, but for me it's been, 'How can I make an impact on people in the world?' But this is not a one-sided exchange. These kids have made me appreciate the value of life."
Having grown up with Crohn's disease, itself a serious illness, Gale shares a unique kinship with the hundreds of children he helps. An otherwise unassuming individual, today dressed in shorts and a T-shirt with a digital camera hanging from his neck, his sensitivity to the kids' condition is visceral and palpable. At camp, Gale is not one of the top executives at MTV, he's just "David," and he doesn't really want to talk about his professional success. He wants this story to be about the kids.
Working in an industry characterized by tough personalities and superficial values, Gale's genuine modesty is rare. Inasmuch as his talent and ambition have earned him considerable success (he is a Stanford graduate and also holds a law degree from New York University), the vice president of MTV new media and specialty films has coupled his personal achievements with giving to others. He believes lasting happiness results from three things: doing what you love, contact with people you love and philanthropic giving.
"There's not even close to enough of that happening in Hollywood. That's why there are so many unhappy people despite their success -- because they're not giving, they're taking, they're demanding, they're insisting -- and they judge their success in life based on the box office, based on their power, their deals and who knows them," Gale said.
"This camp, this organization [Hollywood Heart] gives me true happiness. I get back so much more in ways that are impossible to quantify, in ways I couldn't get from anything material or anything else I've ever done," he said.
Gale's desire to give was the result of a tremendous loss. When his mother was dying of cancer, he saw the outpouring of community support coming from her synagogue, which inspired his own involvement with Wilshire Boulevard Temple. And it was 15 years ago, when he sat on the social action committee, that Gale, now 50, realized he could do more than chair the synagogue's food pantry.
At the time, Gale was vice president of MTV Films, a division he created and through which he produced a bevy of hits, including, "Election," "Jackass," "Napoleon Dynamite" and "Varsity Blues." During his 11 years at the helm, MTV Films grossed more than $1 billion at the box office and garnered their first Academy Award nomination (for "Election," which Gale says, is the film that makes him most proud). Without any personal tie, he was struck by the horrors of the rising AIDS epidemic and immediately decided to start a camp for HIV/AIDS-infected youth.
"I love the movies I've made and I'm very proud of them, but it's just a credit, whereas something that's extremely deep and meaningful and lasting is truly the thing that I would want people to remember me for. Not my movies," he said.
As fulfilling as philanthropy is, Gale is quick to point out that his commercial success has significantly enabled his ability to give.
"I could not have started this charity without my success and without my connections," he said plainly. For starters, although Wilshire Boulevard Temple did not wish to directly sponsor the camp project, they offered Gale use of their camp facilities in Malibu at a greatly reduced rate.
With access to money and powerful industry connections, Gale could offer financial support for a camp, but with the demands of his job, did not have the ability to program his dream from scratch.
Enter Neil Willenson, a fellow Jew from Wisconsin who had already established a camp for at-risk kids but without a permanent home yet.
Willenson's journey began when he read a disturbing article in his local paper titled "AIDS Hysteria" about 5-year-old Nile Sandeen, who contracted HIV from his mother and suffered cruel abuse at the hands of his community. Through his friendship with Sandeen, Willenson discovered that the stigma of the disease and the many misconceptions surrounding HIV/AIDS often caused more emotional suffering than the disease itself.
"The scourge of paranoia is worse than HIV," said Willenson, 37, the founder of Camp Heartland. "HIV may be the most manageable part of their lives."
In 1993, Camp Heartland's inaugural summer, Willenson welcomed 72 kids from 20 states to a one-week, cost-free retreat at a leased campsite in Milwaukee where there was hiking, horseback riding and archery. The following summer, he received a call from Gale, who took a red-eye to visit Willenson's Camp Heartland. By the summer of 1995, Gale and Willenson launched Camp Pacific Heartland, the West Coast version of Willenson's concept, funded through Gale's efforts and with the goal of recruiting at least 50 percent of its campers from Southern California.
The night I visit is "MTV Night" at camp, and the speakers are blaring Madonna. All 60 kids are breathless with anticipation over who this year's surprise celebrity guest will be. Gale's connections in Hollywood have produced a gaggle of celebrities here over the years, including Chris Tucker, Cuba Gooding Jr., Brandy and David Arquette.
When Wilmer Valderrama of "That '70s Show" arrives, he joins his screaming, adoring fans for a late-night dance party.
A 7-year-old girl gasps, "He's handsome! He's everything!"
She could be talking about Hollywood writer/director John Gatins, one of Hollywood Heart's most passionate advocates and a current board member, who is visiting tonight just for fun.
Gatins, who wrote "Coach Carter," will return for Camp Hollywood Heart (the arts camp for Heartland graduates ages 16-20) to teach a writing workshop. He says he charts his life by this camp and that it inspired him to have children (he has three, ages 7, 5 and 18 months). Just prior to the release of his first feature film, "Dreamer: Inspired by a True Story," DreamWorks gave him special permission to screen it at the camp.
"The night that I showed my movie here, I remember driving down that long, crazy hill to leave, and I just started laughing, and then I started kind of weeping, thinking, 'Wow I've never had such an amazing audience,'" Gatins recalled, almost tearfully.
"You work in the business, and everything is about the business. Everything is about, like, 'How did it play?' 'Will it work?' 'How do you sell it?' And to hear 100 kids laugh in the situations they're in, I sent DreamWorks an e-mail the next day that said, 'Look, I just have to tell you that I had an experience last night that for the first time my work felt meaningful on a level it never has.'"
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