COUNTER-POINTCOUNTER-POINT: Boycott the boycotters?
The entire Jewish community should applaud the recently announced plan by The Jewish Federations of North America, the Jewish Council for Public Affairs and several major Jewish federations to invest millions of dollars over the next few years to fight the delegitimization and demonization of Israel. These groups understand that if academic and cultural boycotts are legitimate when aimed at Jews in the West Bank today, they will soon become legitimate when aimed at Jews in Tel Aviv tomorrow; and, you can be sure that after that, the boycotters will set their sites on Jews in New York, Los Angeles, Peoria … and everywhere else that Jews live.
Unfortunately, on the ground, anti-delegitimization efforts are being undermined by some of the very organizations that the mainstream Jewish community actually finances. The JCC of Manhattan recently invited boycotter Tony Kushner to speak at the opening night of its “Other Israel Film Festival.” American Friends of Hebrew University bestowed their prestigious Scopus Award on boycotter Frank Gehry. The JCC of San Francisco made boycotter Stephen Sondheim a keynote speaker at their Ideas Programs. And, the executive committee of the Foundation for Jewish Culture, an organization with a proud history of support for Jewish scholarship and art — though also with a recent history of funding several highly controversial projects that many critics consider anti-Israel propaganda — recently overwhelmingly rejected a simple resolution to condemn “academic or cultural boycott of Jews or Israel, their academics and artists, or their academic and cultural institutions.”
This vote was disturbing for many reasons. First, the mission of the foundation is to “nurture a vibrant and enduring Jewish identity, culture, and community.” What could be less nurturing to Jewish culture than cultural boycotts? Second, the foundation had a special obligation to distance itself from boycotters; a number of artists and academics whom it has honored, funded or placed on grant panels during the past decade are some of our people’s most prominent boycotters — Kushner, Theodore Bikel (a board member of the foundation), Sheldon Harnick, to name a few. In recent years, the foundation has funded some of the most anti-Israel propaganda, on the principle that artists and academics were entitled to “freedom of expression.” In rejecting the above resolution, the Foundation apparently concluded that some Jewish and Israeli artists and academics’ rights were not as important as others.
Most troubling of all, however, is that the Foundation for Jewish Culture is funded by many Jewish federations, foundations and philanthropists. Ironically, at just the time that so many of these major funding entities are investing millions in efforts to combat delegitimization and demonization from one pocket, they are actually (unwittingly) supporting delegitimization and demonization from the other pocket.
I would maintain that Jewish communal money should never be used to provide artists or academics with a platform (i.e., funding, honor or visibility) for their art, scholarship or political views, if such a platform would be denied to another Jew or Israeli — anywhere in the world. Therefore, I propose that every Jewish federation, foundation and philanthropist that opposes academic and cultural boycotts — and every Jewish organization that receives community funds — enact a simple board resolution or grant policy (and require that each of its beneficiaries do the same), as follows:
BE IT RESOLVED that [name of federation or organization] condemns any attempt or implementation of any academic or cultural boycott of Jews or Israel, or Jewish or Israeli academic and cultural institutions, and will take any and all future action that it deems appropriate to publicize its position on the above, to distance itself from those who participate in such boycotts, and to ensure that it in no way aids or abets such boycotts through its funding programs.
Some boycotters may believe that by participating in international boycotts, they are merely protesting a policy of the Israeli government, when, in fact, they are fueling what the Reut Institute has called the Delegitimization Network, a loosely aligned group of radical leftist organizations and individuals who seek to “negate Israel’s right to exist.” Reut continues that the “effectiveness of Israel’s delegitimizers … stems from their ability to engage and mobilize others by blurring the lines with Israel’s critics.” Unfortunately, as Hannah Rosenthal, U.S. Special Envoy to Monitor and Combat Anti-Semitism, recently told a conference on combating anti-Semitism: “Opposition to a policy [of] the State of Israel morphs into anti-Semitism easily and often.”
A resolution such as this would, first and foremost, ensure that these funders — who are avowedly anti-boycott — not unwittingly fund organizations that do not share their values. Second, Jewish organizations have an opportunity to educate and inform the general public, as well as well-meaning, non-enemies of Israel, of the unintended destructiveness of boycotts in fueling the Delegitimization Network.
A resolution, such as the one proposed, would not be unprecedented for federations or foundations. Today, many impose upon their grantees various obligations, which range from practicing and promoting ethical business practices to maintaining an open and diverse workplace. Some go further and require grantees to commit to principles of pluralism, and some even fund only organizations that express a positive attitude toward the State of Israel.
What can individual Jews do? First, you should inquire of the federations and organizations that you support what they are doing to combat delegitimization and demonization of Israel, and suggest that they institute an anti-boycott measure, such as the one outlined above. Second, individuals who patronize the arts and culture should educate themselves about artists and institutions that support international boycotts.
Think twice before going to a performance or supporting the work of artists like Daniel Barenboim, Stephen Sondheim, Tony Kushner, Harold Prince and Julianne Moore; think twice before you patronize any number of organizations that have allowed their boycotting staff to associate their organizations’ names with the boycott movement: Playwrights Horizons theater, New York Theatre Workshop, the Public Theater and even the New York Foundation for the Arts. At a minimum, do what you can to educate these individuals and organizations — and the hundreds of others like them — about how their actions violate other artists’ rights to free expression and play so perfectly into the hands of Israel’s biggest enemies.
David Eisner is CEO of a financial data company and an active philanthropist from New York. He previously lived in Westwood.
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