The classic 1920 German expressionist black and white horror film “The Golem” gets a new soundtrack by Hollywood composer Carvin Knowles in this original JewishJournal.com video
Carvin Knowles writes:
In the 16th Century CE Rabbi Judah Loew was said to have created a powerful Golem to defend Prague’s Jewish ghetto.
Although I composed this segment of of score for the scene in Paul Wegener’s 1920 prequel to his silent Golem series in the summer of 2002, I only recorded it during the last weekend of October in 2007.
I played all the brass and woodwinds myself, including the oboe solo near the beginning and the gong, all in my small Hollywood apartment.
In this scene, Rabbi Loew summons the Sumerian demon Astaroth to learn the word that will bring the Golem to life—rendered in the most arcane transliteration from Hebrew that I have ever seen, the word is “Aemath” meaning ‘emet’ (Hebrew)’ or ‘truth.’ I had imagined Rabbi Loew reciting the Shema to hold the ancient demon at bay.
For as long as I can remember, I have been fascinated by Der Golem, the great Jewish monster of clay who only comes to life when Truth is in his breast (or on his tongue, in the original text).
Whether it is the silent film or the Hammer horror version or even Mozart’s “Don Giovanni” (which, incidentally, had it’s premier in Prague), the living statue has always terrified and thrilled me.
It is my pleasure to share a little piece of that with our audiences at JewishJournal.com.
We welcome your feedback.
Your information will not be shared or sold without your consent. Get all the details.
Terms of Service
JewishJournal.com has rules for its commenting community.Get all the details.
JewishJournal.com reserves the right to use your comment in our weekly print publication.