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Los Angeles

September 12, 2012

LimmudLA honors founders




LimmudLA honored its founders, Linda Fife and Shep Rosenman, in an evening of dinner, music and study on Sunday, Sept. 9, at the Los Angeles River Center and Gardens.

LimmudLA is the local outlet of an international model of interdisciplinary, interdenominational, no-boundaries Jewish conferences and events. Founded in the United Kingdom more than 30 years ago, Limmud now conducts 60 conferences in 30 countries, all of them almost entirely run by volunteers.

Fife and Rosenman conceived of bringing Limmud to Los Angeles about seven years ago, after they participated in a Limmud conference in New York. They rallied volunteers and funders and five years ago held the first conference in Southern California over Presidents’ Day weekend, with close to 700 participants converging at the Hilton Orange County in Costa Mesa. The conferences have continued there each February since then.

In 2013, however, LimmudLA plans to forgo its annual marquis conference, instead holding smaller, local events ranging from cultural to academic to family-oriented.

“We’re trying to be localized and organic to the communities where we’re doing different events,” said Yechiel Hoffman, executive director of LimmudLA, the only paid staff member. “Rather than taking people out to Orange County for an event, this gives us a way of being able to provide different options and different access points where people are.”

More than 400 volunteers have stepped up for LimmudLA since its inception. Hoffman said about 120 people are currently active volunteers. LimmudLA plans to hold a multi-day event next summer and is aiming to put on the full conference again in the winter of 2014. 

About 175 people came to honor Fife and Rosenman at what was LimmudLA’s first gala fundraiser. The organization met its goal of raising $75,000. 

The event featured music, text study and an examination of Jewish narrative. Rather than a plaque, Rosenman and Fife each received the newly published Koren Talmud, Tractate Brachot, and rather than a traditional acceptance speech, they staged a musical collaboration that had the audience responding to Rosenman’s “oom-pa-pas” and “ba-da-das.” Fife said it was, like LimmudLA, an example of volunteers stepping out of their comfort zones to produce something meaningful.

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A version of this article appeared in print.

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