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The Getty Museum in Los Angeles will return a 17th-century Dutch painting looted by the Nazis to the heir of the Jewish art dealer. Jewish art dealer Jacques Goudstikker left 1,400 works of art in his Amsterdam gallery when he fled the Nazis in 1940. He died during the escape. His gallery was looted by Hermann Goering shortly afterward. In 2006, the Dutch government returned 202 paintings from its national collection to Goudstikker’s sole heir, Marei von Saher.
Erich Lichtblau-Leskly is relatively unknown, but the power of his art — created while he was an inmate of the concentration camp known as the Theresienstadt ghetto — is evident in the exhibition “The Art Of Erich Lichtblau-Leskly” at the newly opened Museum of the Holocaust in Pan Pacific Park. The paintings, on display through May 1, are rendered in a cartoon style, and many are sarcastic commentary on the desperate conditions under which the Jewish prisoners existed, contradicting Nazi propaganda that promoted Theresienstadt as a model facility where Jews supposedly were well treated. Lichtblau-Leskly’s work is singular when compared to most Holocaust-related art, according to E. Randol Schoenberg, president of the museum’s board of directo
Tuesday, November 23, 2010The development of manuscript illumination is perhaps one of the lesser-known chapters in the history of French art, largely overshadowed by the popularity of later — especially Impressionist — painting in France. But, as a new exhibition at the Getty Center shows, artistic invention was alive and well in medieval France — within the pages of books. “Imagining the Past in France, 1250-1500,” on view through Feb. 6, explores the theme of history in manuscripts, focusing on how images were used both to enhance and influence audiences’ experience of the text. The works here have been culled by co-curators Elizabeth Morrison of the Getty and Anne D. Hedeman, a University of Illinois professor, from collections throughout Europe and the United States and contain lavish illustrations of epic adventures and heroism. These range from biblical stories of Creation, King David and Jesus, to histories of Caesar, Alexander the Great and Louis XII, all of which served not only to entertain France’s emerging bourgeoisie, but also to further an evolving national identity. In addition, the exhibition showcases more than 200 years of artistic innovation, some of which laid the groundwork for developments in French and European painting for decades to come.
Writer-director Nicholas Stoller regards British comedian Russell Brand as an honorary member of the “Jew-Tang Clan,” the creative posse led by comedy wunderkind Judd Apatow. Members of the clan, including actors Jason Segel and Jonah Hill, have riffed on their heritage in films such as “Superbad” and “Knocked Up.” Who can forget Seth Rogen kvelling that the Israeli agent “kicking f----- ass” in “Munich” would help him and his buddies “get laid?”
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