
Advertisement
June 20, 2012 | 9:39 am
Posted Pavel Pustelnik
Any large city wants to be proud of their Jewish Museum. London, claiming to be the centre of the universe, is no exception to this rule.
It is easy to walk by the Museum without spotting it. The inconspicuous building is neither fenced nor loudly inviting with banners or signs. It’s a quiet place in the middle of crazy Camden Town that, for an average London visitor, has nothing to do with Jews. Sure there are some bargain clothes and hippie folk, but Jewish culture—not so much. The place, however discreet it may be, offers more than its modest facade.
Those who had a chance to visit the Jewish Museum in Berlin are in certain way “disabled” to appreciate any kind of interactivity that another museum can offer. The Germans probably used all the possible ways of making a visit not only informative but also fun an interactive, reminiscent of an amusement park. In that regard the London museum has a lot to learn from Berlin. The items are displayed in a very standard way – object, some text about it and that is all. Some stories are told through speakers or headphones. Perhaps more could be done to engage the viewer with the presentation.
Londoners focused a lot on the British Jews throughout the years. Firstly there was a short introduction to Judaism: this part was designed around the principles of the religion with exquisite Judaicas brought from different parts of the world. The section explores all the do’s and dont’s of Judaism, luckily explained in a way that literally everybody can understand. Some rules are explained by children—their talks are absolutely adorable. After this general introduction to Judaism the visitor is taken for a tour in history. London used to be a place of high importance for the Jews (as it is today). Even though being a Jew openly has been prohibited for more than 350 years the Island has had a unique allure that has been appealing to Jews all over the world. There are many things to be showcased as the first Jewish settlements in Great Britain can be tracked all the way back to 1066. The glossy posters reproduce the landscape of Jewish London, the Jewish areas that have been demolished and the legacy that has not been forgotten, but can be seen only contained in the museum’s walls. There are butchers, shoemakers, bankers and young people who aspire to be famous – all of them reduced to their testimonies, diaries and pictures. Obviously, space is given to the migrants who came to the UK in the 20th century, significantly changing the Jewish landscape of the country.
For me the standard of any Jewish museum is set by the Holocaust section. Perhaps this methodology is wrong, perhaps it does not capture the the efforts of the curators working on the whole display, but presenting this extremely delicate issue is always difficult. How do we avoid showing the Shoah in an inappropriate or misleading way? How do we make the place informative and bias-free? The Jewish Museum in London decided to follow a well grounded way of telling Holocaust by telling a personal story. Londoners decided to pay tribute to a Holocaust survivor, a UK citizen, Leon Greenman. Not only had he gone through 6 Nazi concentration camps, but his whole life after the war has been dedicated to campaigning against racism. Greenman died in 2008 and today his vivid testimony explains what Shoah was. His whole story is placed a bit apart, in a separate room. The idea is fantastic because the Holocaust, as part of Jewish history, has the potential to become the only part of Jewish History. There is much to learn and know about Jewish culture and ancestry beyond just the Holocaust. The museum did a good job at including the Holocaust without having it define all of Judaism.
Care of the curators has to be acknowledged. There is a visible line of the story that is being told. There is a plot that visitors follow and they are well guided. No matter if they are Jews or not, they are able to learn. However, the information is not always relayed in the most engaging way—a talking LCD is obviously not the most that a modern museum can offer.
The Jewish Museum
129-131 Albert Street, London, Greater London NW1 7NB
http://www.jewishmuseum.org.uk/
For those who cannot visit the Museum in person, I recommend seeing the on-line exhibition “ Jewish Britain: A History in 50 objects”: http://www.jewishmuseum.org.uk/jewish-britain-home as well as Yiddish Theatre in London: http://exhibitions.europeana.eu/exhibits/show/yiddish-theatre-en
4.18.13 at 1:25 am | Thomas Soxberger was born in 1965 in Lower. . .
4.18.13 at 1:23 am | Today is April 10th … a significant date for. . .

4.18.13 at 1:15 am | As she was passing by some girls in their. . .

4.18.13 at 1:07 am | I must admit that even before we arrived in. . .

3.19.13 at 7:47 am | The poetry of Naftali Herz Kon was finally. . .
3.19.13 at 7:45 am | The Holocaust, globally the largest crime in. . .
7.25.12 at 12:48 pm | Unfulfilled murderers, domestic sadists – nice. . . (63)

4.18.13 at 1:15 am | As she was passing by some girls in their. . . (8)
3.19.13 at 7:42 am | (8)


We welcome your feedback.
Your information will not be shared or sold without your consent. Get all the details.
JewishJournal.com has rules for its commenting community.Get all the details.
JewishJournal.com reserves the right to use your comment in our weekly print publication.
community jewish israel jews poland opinion judaism politics music holocaust war education world nation anti-semitism culture life nuclear weapon iran entertainment justice political march of the living art peace issues personal jewish justice yom hashoah family religion poetry drag queen pop judaica support marxism klezmers jews in sweden ethiopia jews in cinema
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
| |||||||||