February 11, 2007 | 8:57 pm

Iranian Jews Tackling Problems With Drug Abuse

Posted by Karmel Melamed

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By Karmel Melamed
11/05/05

Three years ago, Raymond P., a 28-year-old Iranian Jewish youth was a fully-fledged member of a notorious Los Angeles street gang and involved in violent crimes, activities that were helping him fund his near lethal drug habit.

Now in recovery, Raymond P.—who asked that his real name be withheld—is just one a growing number of Southern California Iranian Jews that have been using and selling illegal drugs at alarming rates during the last ten years.

“I came from a very good family but I didn’t care who I was hurting as long as I was getting high,” said Raymond P. to the crowd of nearly 200 Iranian Jews gathered at the Eretz-SIAMAK Cultural Center in Tarzana this past August to discuss the community’s drug abuse epidemic.

Since their arrival to the United States more than 25 years ago, Iranian Jews – now totally 30,000 in Southern California – have become perhaps one of the most educated and financially successful Jewish communities in the country. Yet with many in the community having experienced the American dream in such a short time span, a portion of Iranian Jews have not been immuned to problems such as drug abuse within the American society.

Shattering the community’s long standing taboo of not publicly discussing drug abuse problems plaguing Iranian Jews, Eretz-SIAMAK became the first local Iranian Jewish organization to begin an open dialogue on the issue by gathering a panel of experts to educate families about drug abuse.

“For years we’ve been quietly helping addicts in the community to get recovery for their drug use,” said Dariush Fakheri, co-founder of Eretz-SIAMAK. “But this year we finally decided to go public and try to fix this problem when we noticed it has really become widespread among our young people”.

The leadership at Eretz-SIAMAK, often working as trailblazers within the community and unafraid of addressing serious issues such as poverty, pre-martial sexual relations among young people, and new Jewish immigration from Iran, decided to go forward with their drug abuse awareness event after an anonymous donor provided specific funding for their program.

“This generous donor who has asked to remain anonymous was responsible for helping us put on this event and we are already planning more upcoming drug education seminars because of his donation,” said Fakheri.

Community activists said illegal drug use among Iranian Jews of all ages has increased in recent years because most Iranian Jewish families have been afraid of seeking professional help for fear that any news about their family members using drugs would cause others in the community to look down on them or even ostracized them.

“Our culture is the type that wants to keep everything secret and not talk about it because it’s embarrassing and people put a label on you,” said Dara Abai, a community volunteer. “In Iran, I remember that if someone told you to go to a psychologist they thought you were crazy and had a serious mental problem”.

Abai, who has also worked as a mentor to local Iranian Jewish youth for the last 20 years, said some young Iranian Jews have indirectly been influenced to experiment with drugs after seeing their parents drinking alcohol excessively on a regular basis.

“I believe that in parties in our community we have a lot of alcohol use and I think alcohol has a lot to do with our drug problem,” said Abai. “I go parties and see married people half drunk and their kids see this and they think it’s fun so they try alcohol at a young age and sometimes that leads them to try drugs”.

Despite the drug issue growing with the community, some Iranian Jews have conquered their drug addictions and are trying to outreach to the community. Iranian Jewish Psychologist, Dr. Iraj Shamsian is perhaps the one of the best examples of a former addict who took his negative experience and turning it around to help other addicts in the community.

“During those years I never said no to any drugs I saw,” said Shamsian who was a full-blown drug addict from 1983 to 1993. “I shot heroin, I used cocaine, I used different downers and uppers, even tried acid and mushrooms”.

Shamsian said his addiction was so intense that he wasted away his own savings, his family’s funds brought over from Iran, and he ultimately ended up living on the streets of Downtown Los Angeles before finally seeking his family’s help in getting recovery.

After become drug free, Shamsian obtained his credentials in order to help other addicts with the community and is now working in private practice as well as the program coordinator at “Creative Care”, one of the most respected drug treatment facilities in the country located in Malibu. In addition Shamsian also hosts “Ayeneh” his own Persian language television program featured on the satellite network N.I.T.V., which is specifically geared to educate Iranians around the world about the dangers of drug use.

“We discuss different topics about drug use on the program and answer phone calls from Iranians around the world – even in Iran, that is now the number one country with the most drug addicts in the world,” said Shamsian.

Shamsian and other experts said that young Iranian Jews, just like most young people, at first experiment with different drugs out of peer pressure or to fit in with their friends, then this experimentation often results in them become addicts.

Shamsian also said that while many younger Iranian Jews have been primarily using marijuana, a significant number of older Iranian Jewish men working in Downtown Los Angeles are using opium on a regular basis because of their past use and familiarity with the drug from Iran.

Unfortunately problems with drug abuse have also lead many Iranian Jews to face criminal prosecution for their illegal drug habits, said Iranian Jewish L.A.P.D. Sergeant Dariush Sameyah.

“I was in court recently with this person from a very prominent Iranian Jewish family and she was heavily involved in narcotics and credit card fraud to support her narcotics habit,” said Sameyah who works in L.A.P.D. Internal Affairs. “This issue is very prevalent in our community and is not isolated at all, if you look at the court records everyday and see the cases coming up you will see Jewish Iranian names quite frequently”.

Despite having lived in the United States for nearly three decades, Iranian Jews have by in large not had exposure to law enforcement here and are completely unaware of the legal consequences of their drug use, said Sameyah.

“They still think the old system in Iran can be applied here, unfortunately they get a very very rude awakening once the handcuffs go on,” said Sameyah. “Back in the day if a very well respected Iranian person got arrested in Iran, they wouldn’t get handcuffed or strip searched the way they do here. It’s such an insult and slap in the face for an Iranian person when they are told to bend over and spread your butt cheeks for a cavity search, but that’s the law and public policy in the United States”.

Sameyah said a joint investigation lead by the U.S. Drug Enforcement Agency and Los Angeles Police Department led to the arrest of nearly a dozen Iranians in Southern California—many of whom were Jews—this past summer for allegedly selling and importing opium as well as laundering money generated from the sale of opium.

“The profits are so high from the narcotics trade that you can’t go deposit it in your bank account because now you have to show where that money came from and pay taxes from it,” said Sameyah. “In order to hide their activities, they have to launder that money by some how taking it out of the country and bringing it back through another method”.

Aside from marijuana and opium use among Iranians living in California, heroin has recently been making a huge comeback as the drug of choice within the Iranian community, said Sameyah.

Community volunteers said many Iranian Jews have mostly sought recovery for their drug addictions at Chabad’s Treatment facility located near the Miracle Mile area because of the facility’s strong emphasis on Jewish values and spirituality.

Three years ago, Shamsian along with a handful of other Iranians from different religions helped found the Iranian Recovery Center (I.R.C.) located in Westwood. The non-profit organization primarily offers Iranians seminars and education about substance abuse as well as referrals to those seeking treatment for their addictions.

“The services of the I.R.C. are totally free and open to the public, we help Iranians of all different religions, some more wealthy, others without much money get their questions answered about drug use,” said Shamsian.

Drug abuse experts said that despite the cultural and generational gap between Iranian Jewish parents and their children, the best way to prevent drug use among young people is to educate them before their teen years about the dangers of drugs.

“If you want to start talking about narcotics to a 15, 16 or 17-year-old, you’re about ten years behind the curve because that kid has spent the last ten years in school with god knows who having glorified narcotics use for them,” said Sameyah. “Education about narcotics starts at the age of three and four, about what drugs can do to you and what they look like are key”.

Abai, Shamsian and Sameyah, all of whom appeared as panelist at the Eretz-SIAMAK drug awareness event said they would like to see greater involvement from local Iranian Jewish leaders in drug prevention programs.

Local leaders and volunteers also said Iranian Jews must first change their outlook and perspective on drug addicts within their own ranks in order to overcome the community’s taboo and make real progress in battling the community’s drug problem.

“We have to try not judge people with drug addictions, we have to look at drug abuse as a disease and not from a moral point of view,” said Shamsian. “We have to also accept the fact that because of the exodus from Iran and changing countries, this [drug abuse] is normal, this is what happens and it’s not the parents fault that the kids are using drugs but the whole experience that makes us vulnerable.”

This article was originally published by the Jewish Journal of Greater Los Angeles and Iranian Jewish Chronicle magazine:
http://ijchronicle.com/article.php?idcat=19&idart=11

February 11, 2007 | 8:47 pm

There’s No Denying Him: Only Iranian Jewish Holocaust Survivor

Posted by Karmel Melamed

By Karmel Melamed
12/14/06

In August 1939, Menashe Ezrapour could have escaped the horrors of the Holocaust by boarding a train in the French city of Grenoble, but instead, he chose to stay, ultimately becoming the only known Shoah survivor of Iranian Jewish descent interned in concentration and work camps.

Earlier this year, Ezrapour, 88, was honored at the Nessah Cultural Center in Beverly Hills after coming forward for the first time in more than 60 years to publicly share his story of survival, perhaps bringing the local Persian Jewish community closer to the Shoah.

A number of Holocaust experts, including ones from Yad Vashem, the US Holocaust Memorial Museum in Washington and the Simon Wiesenthal Center in Los Angeles, said Ezrapour is probably one of the few - if not the only - Iranian Jewish survivors held captive in the camps.

“To my knowledge, I have not heard of any Iranian Jews being held in camps during the war,” said Aaron Brightbart, head researcher at the Wiesenthal Center.

For the Iranian Jews of Los Angeles, remembering the Shoah has taken on a new, sorrowful resonance following recent statements denying the Holocaust by Iranian President Mahmoud Ahmadinejad. Obviously Ezrapour’s story is especially significant .

Upon learning of Ezrapour’s experience, several local Iranian Jewish leaders said his story may personalize the Holocaust for Iranian Jews who in the past may not have been as impacted by its effects as most European Jewry was.

“We have always felt a close bond with the Shoah,” said Dariush Fakheri, co-founder of the Eretz-SIAMAK Cultural Center in Tarzana. “This new revelation for the community just makes it so close to a personal experience for us.”

EZRAPOUR CAN still recall the names, dates and events surrounding his internment in various camps in southern France.

His life-altering experience began when he and his brother, Edward, left their home in the Iranian city of Hamadan and went to Paris in September 1938 to pursue higher education. In August 1939, they journeyed to Grenoble in southeastern France. Shortly afterward, when war in Europe seemed imminent, they decided to return to Iran.

“As we were preparing to leave, my friend from Baghdad, Maurice, who was an Iraqi Jew, encouraged me to stay,” Ezrapour said.

His brother returned to Iran, but he remained in Grenoble and continued his engineering education at a local university. For the next three years, Ezrapour said that neither France’s German occupiers nor the Vichy government bothered him. However, he was eventually forced to register as a Jew in 1941, in accordance to Vichy laws.

In late 1942, he and several hundred other Jews in the area were rounded up and sent to nearby detention camps. The French police took Ezrapour to a work camp called Uriage. He said the prisoners there were worried that they’d be deported to Germany.

“After one month there, I got permission to return to Grenoble for two days, and I never returned to the camp,” Ezrapour recalled.

He said he stayed in the Grenoble home of a Christian woman for two weeks and used false identification papers to get around. He was ultimately arrested after the woman was tricked by a police officer into revealing his whereabouts.

After 45 days in jail, Ezrapour said he was convicted of using false papers and sentenced to serve 40 more days in the Shapoli work camp. From Shapoli, he and other Jewish prisoners were taken to the infamous Gurs concentration camp, 80 kilometers from the Spanish border.

According to the Encyclopedia of the Holocaust, Gurs was the first and one of the largest concentration camps in France, with approximately 60,000 prisoners held there from 1939 to 1945. According to the 1993 book, Gurs: An Internment Camp in France, the internees included approximately 23,000 Spanish Republican soldiers who had fled Franco’s Spain in 1939, 7,000 International Brigade volunteers, 120 French resistance members and more than 21,000 Jews from all over Europe.

EZRAPOUR SAID living conditions there were unbearable, with too many people crowded together into small barracks and very little food.

“Every day, the only food available was one bowl of watered-down turnip soup and 75 grams of bread, which is the size of a teaspoon,” he said.

Gurs held thousands of Jews prior to their final deportation to the death camps of Auschwitz-Birkenau and Sobibor. However, more than 1,000 detainees died of hunger, typhoid fever, dysentery and extreme cold.

After a month at Gurs, Ezrapour said he and 40 other prisoners were sent to a work camp near Marseilles called Meyreuil, instead of being deported to Auschwitz with thousands of other Jews.

“After two days there, an officer issuing identification cards asked me if I was Jewish, and I told him I was not, and he luckily did not identify me as a Jew,” Ezrapour said. “This was an incredible miracle, because later in 1944, two Gestapo officers came to the camp and saw my Jewish name on the list and asked for me. The camp commandant told them I was an Iranian-Iraqi, and they didn’t ask for me any further.”

Ezrapour said he was subsequently sent to labor long hours in the coal mines near Meyreuil. He also worked as an electrician.

In August 1944, he said, Meyreuil was liberated by American forces, and he left the camp. He sought refuge with rebels in the Spanish underground living in a nearby border town.

For the remainder of the war, Ezrapour returned to Grenoble, where he completed his education in engineering. He returned to Iran in June 1946 and worked in the spare auto parts business.

DESPITE ENDURING tremendous hardships at camps, Ezrapour said the experience has not made him bitter but only reinforced his belief in God.

“After witnessing all of the miracles I encountered then, I have always been grateful to God,” he said. “I had, and still have, a strong belief in God and his powers; that’s what got me through the experience.”

The list of Dachau prisoners in Paul Berben’s book Dachau 1933-1945: The Official History (Norfolk Press, 1975) indicates that there was one survivor of Iranian nationality at the camp when it was liberated by US forces in April 1945. However, the list does not identify the prisoner’s religion.

Records from Yad Vashem’s Hall of Names reveal that five Jews born in Iran perished in the Holocaust.

In April 2004, the Wiesenthal Center posthumously honored Abdol Hossein Sardari, the Iranian ambassador to German-controlled France during World War II, who forestalled the deportation of 200 Iranian Jews living in Paris. In addition, he was also honored for saving several hundred non-Iranian Jews in Paris in 1942 by giving them Iranian passports.

Ezrapour said that while he did not encounter any other Iranian Jews during his internment in the French camps, most Iranian Jews he has known over the years have expressed great sorrow over the loss of their brethren at the hands of the Nazis.

“They do feel great pain, because their co-religionist brothers were murdered,” he said. “Perhaps my experience will give them a better idea of the seriousness of what happened.”

This article was originally published by the Jerusalem Post:
http://www.jpost.com/servlet/Satellite?cid=1164881892712&pagename=JPost%2FJPArticle%2FShowFull

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February 11, 2007 | 8:24 pm

Through Her Lens: Shelley Gazin Honors the Vibrancy of Persian Jewish Social Landscape

Posted by Karmel Melamed

By Karmel Melamed
November 2006

You have probably seen her at many local Iranian Jewish gatherings around town or even at parties with one or two cameras in hand shooting everything around her. She’s not your typical hired photographer, but American Jewish artist Shelley Gazin has been trying to capture the essence of Southern California’s Iranian Jewish community for almost two years through a series of unique photographs from the perspective of an outsider. Aside from teaching photography at UCLA, her work has been on display in various exhibitions in London, Los Angeles and Pasadena. Likewise Gazin’s photographs of national leaders and celebrities have appeared in Los Angeles Magazine, the Los Angeles Times, Newsweek, Time, Forbes and numerous other national publications.

Following her successful “Looking for a Rabbi” exhibition in 2001 at the Skirball Museum & Cultural Center here in Los Angeles, Gazin became interested in our community. Since then she has taken on her latest project “Becoming Persian: A Photographic Narrative with Text Threads Illuminating the Persian Jewish Community”. Selections from this work-in-progress have been presented in conjunction with programs for the local Center for Iranian Jewish Oral History, UCLA Jewish Studies department and USC. This coming November, Gazin will be presenting a small group of her photographs from our community at a Los Angeles cultural research event held at the Huntington Library. Recently I sat down with her to learn more about her artistic work within our community.

What motivated you to begin this endeavor of photographing the Iranian Jewish community locally?

When I was preparing for my exhibit on at the Skirball Musuem (“Looking for a Rabbi”) I encountered the Persian Jewish Community for the first time. I was amazed that right here in my own neighborhood, where I grew up and was a part of Jewish life for my entire life, there was this community that has made major contributions in science, medicine and business. I realized that this might be the greatest untold saga of 20th century immigration. And I was delighted to be the first artist to receive a commission from the California Council for the Humanities to trace and artistically represent this incredible story. I knew that, as with past CCH grants, this was a chance to build tolerance and strength by sharing stories. The photos I’ve taken are powerful and I’m not finished yet! There’s much more to come.

As an outsider to our community who is Jewish, what do you think has most surprised you and or impressed you about our community?

As a documentary artist I am the perpetual outsider. But I found Persian hospitality so encompassing that I was pulled in, almost as if by a magnet. And I am surprised by how deeply I feel a part of it.

Where have you generated the funding necessary for this project and where are you looking to for continued funding?

Throughout history, the arts have been supported by patrons who recognized the need for inspiration and glorification of their civilizations through images. Likewise, this project’s initial funding was seeded by the CCH and then by Righteous Persons Foundation with the expectation that other foundations or people of vision would step up to help it reach its full potential. So far, additional contributions from the Memorial Foundation for Jewish Culture, The Durfee Foundation and special people in the Persian Jewish community including those at the Laura & David Merage Family Foundation have made work-in-progress exhibits possible with the Center for Iranian Jewish Oral History (Skirball) and with UCLA Judaic Studies at the Autry Museum and at USC/Doheny Library. I have another presentation coming up in November at the Huntington Library with the USC -LA Subject Archives partnership. Significant grants are still needed from those with vision, and of course, the means. I expect what is necessary will come from a member, or a few members of this, temporarily-my, community from someone who loves education and values their culture and wants this story honored. I am affiliated with two Jewish not-for-profit fiduciary organizations based in New York who have long track records in this field and can answer questions about sponsorship.

Will any of your photos be up for sale to our community?

About the sale of photographs there have been many inquiries. But the goal is to complete the project rather than put time into running a business selling original prints. These aren’t wedding photos! The corpus is a work of art and needs the sort of consideration any major collection receives. All of my images are considered raw research notes and are not ready for release until they have been edited for the various exhibitions under consideration. A few selected prints are available for acquisition now to underwrite the project. What works best for this kind of project is that prospective buyers become donors. By making a grant to the project they can be part of this historical project, and then, selected images can be gifted as a thank you.

You’ve been photographing our community in various settings from weddings to funerals to political rallies, are there any that have particularly photographed really well and revealed what we are really like?

Well, as the great American poet Robert Frost said, “poetry is what’s lost in the translation.” If I could tell you in a few words, we wouldn’t need art. But, I can say this: big stories like this are revealed in context as in a book or exhibit. This context will reveal a mosaic of soul, energy, intelligence, sense of humor, and cultural clues of a community undergoing rapid changes ¦made up of moments, each one co-existing with structural perfection caught and artistically rendered on a little piece of film.

Where do you plan on exhibiting your photographs and will they be available for sale down the line in prints for individuals after the project is done?

I am fortunate to be in discussion with several prestigious academic and cultural venues. I am also planning a traveling exhibition, and when the schedule is finalized, I’ll let you know. In the meantime, I’ll be presenting a few samples of work-in-progress at the Huntington-Library in November as I did last year with the Center for Iranian Jewish Oral History (Skirball) and UCLA Jewish Studies (Autry Museum). Because they have already been exhibited, a selection of archival prints are available for acquisition now through the projects not-for profit fiduciary in order to underwrite the project. Others will be available as time goes on. Each print is hand-printed and ideally, a donor will enable the master set of prints to be gifted to an appropriate museum either here or in Israel or both.

Iranians and especially Iranian-Jews are often very tight-knit and do not typically interact as much as the American Jewish communities, can you share how this aspect of our community has been an obstacle for you to overcome?

I was fortunate to be properly introduced into the community by the “Center for Jewish Culture & Creativity” and my credentials preceded me. It takes time and commitment to convince others you are making a contribution to community life. I think it is more an obstacle that they must overcome. In order for them to play on a world stage they have to be visible. I think that is why they welcome me, even though at the same time they exhibit a certain reluctance and reserve. Perhaps they are afraid of what I may reveal. They can help me or hinder me. But I have an unbeatable work ethic. In a way the situation is a perfect mirror of the Persian Jewish experience coming to California.

Our magazine was informed that you have been offered funds to potentially travel to Iran and photograph members of our community there. Can you share with us a little about this potential future project?

Right now there is much to do about life in L.A. so that the project can be completed in a meaningful timeframe. I will do the trip you mention as soon as the sponsorship is available. Traveling to Iran would be ideal. One of my recent projects told the story of the changing Marais, and going back and forth to Paris, to see the changes gave the project texture and depth.

The arts are not typically reinforced among Iranian Jewish families and what you are doing is in essence preserving our current history. How can support of the arts benefit Jewish life and Iranian Jewish life in Los Angeles?

I am a link. I am an artist, a Jew, and I can help start a process that is perhaps overdue. No one wants their children to grow up to be artists because they are afraid they will be poor. But I can show them how it works—a successful artist is a working artist, an artist with credentials—while I tell their story. It paves the way. We all know that art has always been a way of saying I exist—we exist, with the intention of preserving our identities forever, be it through sculpture, abstract painting or photojournalism, it contributes to survival on many levels. But to have real impact it has to be valued just like other respected occupations. Often that appreciation comes too late, after the culture is in decline. We have a real opportunity right now, with this project, so well under way, to get to the next level while the community is still in vibrant growth. I hope to be part of the new sophistication that will add joy and help create a place in history. When I was a child I loved to read books and watch movies about and by creative geniuses and I still do. That’s part of wanting to make a difference in the world. Since photography is a relatively new art only coming into its own in the past 30 years, I am proud to be a pioneer, educating at the same time I produce the actual art.

Artistically speaking are there any special methods or uses of lighting you typically use in your photographs that are distinctive to you?

As a documentary artist my work is executed for historical preservation at the highest possible resolution. I shoot film actual film that can be touched and mediated in the real world. I use materials with weight and heft and permanence in at least three dimensions. That is what history and art have required so far. I do not deal in ephemera, even if what I capture might otherwise be ephemeral. Each print is processed by hand with archival methods and no two are alike so each print is an original.

How do you best want to capture the subject being photographed?

When it comes to the professional work I have produced for corporations, public relations agencies and magazines, whether celebrity or family portraiture, I’ve used both hard and ambient lighting. That translates to this project. Whether I’m lighting Joni Mitchell, Jesse Jackson, or Dr. Rahbar, I light as needed to bring out the truth in the subject, for the dramatic essence that makes an impact and makes us think. There is so much of it if we simply look and this is what I am here to do; make people look and think! I want the viewer to feel the subject viscerally, close-up with me, to make contact. Each time I point the camera at someone, I feel it.

If a non-Iranian artist or journalist asked you for advice on how to approach and interact with our community, what advice would you give them?

Whenever one travels to a new world, one must show respect.

This article was originally published by the Iranian Jewish Chronicle Magazine:
http://ijchronicle.com/article.php?idcat=19&idart=120

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February 11, 2007 | 8:15 pm

Exclusive Interview: Lila Yomtoob, First Iranian Jewish Emmy Winner

Posted by Karmel Melamed

By Karmel Melamed
September 2006

This past August the Academy of Television Arts & Sciences honored an array of actors, directors, producers, and creative artists for their work on various television programs that aired this past year. Lila Yomtoob, a 30-something Iranian Jewish resident of New York became the first Iranian Jewish recipitant of an Emmy Award this year for her sound editing work on the HBO television documentary film “Baghdad ER”. While she did not travel to Iraq for the film, she handled the post-production sound editing. The film chronicles two months in the day-to-day lives of doctors, nurses, medics, soldiers and chaplains working in the U.S. Army’s premier medical facility at the 86th Combat Support Hospital located in Baghdad’s Green Zone.

Yomtoob is one of a growing number of young Iranian Jews who have recently broke with their community’s career expectations by working in the competitive entertainment industry and achieving success. After completing film school in 2000, she has worked as a freelance sound editor on various film and television projects. Yomtoob has also produced and directed her first independent feature film “High Life” that takes a look at one day in the unique lives of five Brooklyn teens. Following her recent Emmy win, I had a chance to chat with Yomtoob about her award and her blossoming career in the entertainment industry.

Can you give us a little background on how you got involved in sound editing?

When I was in high school I started getting really interested in films and film making. I watched maybe three films a day back then and I would write about them. I started to notice one film in particular called “Barton Fink” that had some really amazing sound and I realized that I so intrigued by what sound can do for a film. I never actually thought I would work in sound, it was just one of those things that brought me to film making. When I went to film school, I realized that I was really terrified by all the equipment and all of the technology. Later on I did an internship at a sound company in New York that was the same company that had done the sound on “Barton Fink”, then I got hired.

What was it like to win the Emmy award?

I wasn’t expecting it at all. When I saw that I was seated in the sixth row I had a gut feeling I was going to win. Everyone at work and my family has been very happy and congratulating me, it been great. It’s really exciting to be recognized and go there and see what the Emmy’s are like.

Are there any other noteable projects have you worked on as a sound editor?

I work mostly on independent films, different size films. The biggest film I worked on which is the most recognizable was called “Two Weeks Notice” with Sandra Bullock and Hugh Grant. I work on a lot of documentaries, small art films, films that go to the Sundance Film Festival. I’ve also worked on the film “Dave Chappell’s Block Party” and on the T.V. show called “The Wire” on HBO.

Iranian Jewish parents seem hesitant to allow their children to work in the often unstable entertainment industry. What was your family’s reaction when you told them you wanted a career in show business?

I would say that my decision was met with skepticism. My parents, my family, a lot of cousins are doctors and lawyers and my father wanted the same for me. My mother had a little of an artistic streak, so she thought it was ok. But I was raised to be very practical and make sure I could make a living. I honestly wanted to go to art school and pursue a career in photography, but I didn’t think it was very practical. And for me film making was more practical because if you could get a job, you could make a really good living. I wasn’t particularly encouraged but I went ahead an did it anyway, that’s always been my mentality. I haven’t been criticized in anyway and when getting recognized with an award like this it opens people’s eyes because they’re very proud and excited for you.

Did you want to continue on this path of sound editing or do you have other career aspirations?

Ultimately I’m hoping to be a director of my own films. I do consider myself a director already because I’ve made a film. I’d like to parlay my sound editing into a career in filmmaking. My film is called “High Life”, it takes place in one day and it’s about a group of teenagers who grew up together in Brooklyn where on the friends who has been missing for a week comes back. It’s basically a coming of age story for a group of 19-year-olds growing up.

What advice do you have for younger Iranian Jews wanting a career in the entertainment industry?

I would say that if you have a passion, you should follow it because that’s what life’s about. Walk with humility because you have to do a lot of grunt work, you have to be friendly with people and work hard. I think they’re really lucky to be in the United States, because if you really want something you can get it if you’re prepared to pay the cost.

This article was originally published by the Iranian Jewish Chronicle Magazine:
http://ijchronicle.com/article.php?idcat=19&idart=85

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February 11, 2007 | 8:07 pm

Forget JDate, Matchmaker Helps Jewish Angelenos Find Love

Posted by Karmel Melamed

By Karmel Melamed
1/13/06

He’s not your typical yenta, and he’s certainly not JDate.com, but 70-year-old Asher Aramnia spends every Sunday afternoon working the phones at his Los Angeles office to make national and international love connections for Jewish singles of different backgrounds.

With countless successful matches to his credit, Aramnia’s matchmaking activities, based out of an Iranian Jewish community center called Eretz-Siamak, have become something of a phenomenon in the local Jewish community, where typically women and online dating services have helped Jewish singles find their soulmates.

“I know people think this is for women, but I don’t care about that,” said Aramnia, an Iranian-born Jewish businessman. “What’s important to me is the mitzvah of two single Jews finding the loves of their life.”

In the past four years, Eretz-Siamak’s Peyvand-e-Delha (Union of Hearts) program has helped bring together more than two dozen Jewish couples from various cultural backgrounds. Eretz-Siamak’s co-founder, Dariush Fakheri, originally developed the program 12 years ago to enable divorced Iranian Jews in Southern California to meet potential mates. “This program was first called ‘Another Spring’, and we wanted divorced Jews to make connection with each other, because there was a taboo for divorced people to remarry in our community,” Fakheri said. Union of Hearts has now expanded to include Iranian Jewish singles elsewhere in the United States, Mexico, Europe and South America.

“We’ve had a couple of successful marriages recently between Mexican and Iranian Jews and many Iranian Jews wanting to marry American Jews,” Aramnia said. Jewish seniors as old as 80 who are seeking companionship have been paired up, too.

Though a one-time $100 processing fee is requested by the organization to cover its program expenses, Aramnia does not get paid for introducing couples. In fact, he and his wife often stay up late on weeknights to keep in touch with singles he has introduced.

“The secret to our success is not asking them what they want, but rather asking what they don’t want in a mate or would despise in a mate,” Aramnia explained. “This allows us to better match up couples.”

Information sought by Jewish singles in the program includes age, height, weight, hair color, number of children and their ages, alimony receipt or payment, religious observance, education, occupation, hobbies, drinking limits, turnoffs, smoking or nonsmoking, and priorities in a companion, according to the application sheet.

In addition, Aramnia said he does extensive background checks on singles participating in the program and works closely with them to ensure compatibility and that their relationships last.

“After they fill out an application, I personally and confidentially interview them,” Aramnia said. “Our whole objective is to make sure that if anyone does get married, that it will last forever.”

“I have been really blessed to know Mr. Aramnia,” said Soheil Bamshad, a Southern California accountant who was introduced to his wife, Rozita, through the Union of Hearts program four years ago. “I think what he does is invaluable with all the time he puts into this at nights and on the weekends; it all takes away from his own family in order to help Jewish singles meet each other”.

Aramnia, who has been married for nearly 50 years, said he was first drawn to matching Jewish singles after seeing the collapse of many marriages and families.

“When a couple divorces with one or two children, the weight of the breakup is on the children’s shoulders who are tremendously impacted,” Aramnia said. “This breaks my heart, and I’m willing to do anything to prevent that from happening.”

For more information on the Union of Hearts program, contact: (818) 343-2390

This article was originally published by the Forward newpaper:
http://www.forward.com/articles/forget-jdate-%E2%80%94-matchmaker-helps-angelenos-find-l/

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February 11, 2007 | 7:46 pm

Having found success in U.S., Iranian Jews Turn To Showbiz

Posted by Karmel Melamed

By Karmel Melamed
06/28/06

The generation of Persian Jews who escaped Iran’s 1979 Islamic revolution with their parents and traded a fearful existence for lives in New York and Los Angeles are now emerging in the entertainment industry.
Whether it’s producing Oscar-winning films, appearing on prime-time network television series or performing stand-up comedy, young Jews of Iranian heritage have been breaking with their community’s traditional norms and leaving their imprint on Hollywood.

Perhaps the most notable success came earlier this year when Iranian Jewish film producer Bob Yari’s independent film “Crash” won the Best Picture Oscar and generated $93 million in worldwide sales.

“I had a gut feeling that it would be something special but you never know, so I was hoping and my hopes came to fruition,” said Yari, 44, whose four production companies have backed 25 films in three years.

Yari made his fortune in real-estate development, but he’s no novice when it comes to Hollywood: After receiving a degree in cinematography, he directed the 1989 film “Mind Games” for MGM. The litigation involved in the film and its lack of success drove Yari away from the industry until four years ago, when he began producing.

“I’m always interested in telling stories that I think touch people and mean something to people,” he said. “One of the things that’s always attracted me to film is its power to influence people to put aside their prejudices or judging people based on their heritage or color of skin.”

Yari is not the only Iranian Jew doing well in Hollywood. Nightclub and hotel entrepreneur Sam Nazarian, 30, is financing and producing films through his L.A.-based SBE Entertainment Group.

His production company Element Films has produced five films so far and anticipates producing up to a dozen a year, each budgeted at less than $15 million, according to the Internet Movie Database Web site.

Young Iranian Jews also have been writing and directing independent features. Prior to forming her own production company, Azita Zendel worked for four years as an executive assistant to Oliver Stone and collaborated with him on films including “JFK,” “Nixon” and “Natural Born Killers.”

“I guess I have stories inside of me that need to be told, and I just love the work,” the New York-based Zendel said. “God knows it’s not an easy route but I really couldn’t see myself doing anything else.”

The movie she wrote, produced and directed, the 2003 independent film “Controlled Chaos,” won rave reviews upon its theatrical release as well as best feature awards from Winfemme Film Festival and the New York International Independent Film and Video Festival.

Some Iranian Jewish filmmakers are trying to parlay their success to tell their own cultural narratives. Soly Haim, a Los Angeles-based independent producer, is seeking financing for a documentary about how Iranian Jews helped Jews flee Iraq in the middle of the 20th century.

“Documentaries are hard to get financing for because, unlike films, documentaries usually go for television broadcasts, and the revenues generated do not match the revenues generated from feature films,” said Haim, 44.

In the meantime, Haim’s production company, Screen Magic Entertainment, recently completed shooting the independent film “When A Man Falls In The Forest,” starring Sharon Stone and Timothy Hutton.

Slated for release in early 2007, the film revolves around an unhappily married woman who shoplifts to relieve the suffering brought on by her boring marriage and to find excitement in a small midwestern town.

Yari, for his part, said he’s looking to develop a feature film about the events that led to the 1979 Iranian revolution and the collapse of the shah’s regime.

The acting bug has also bitten a number of young Iranian Jews. The best-known to emerge in recent years is Bahar Soomekh, who made her film debut in “Crash” in the role of a young Iranian woman named Dorri.

“It’s really scary with acting because there is no guarantee,” said Soomekh, 31, who lives in Los Angeles. “It’s so different than anything else because in the corporate world you do something and you see your success, but with acting you could go to audition after audition and 90 percent of the time there is rejection.”

Since “Crash,” Soomekh has landed roles in other major films including “Syriana,” opposite George Clooney, and “Mission: Impossible 3” with Tom Cruise.

Another Iranian Jewish actor, Jonathan Ahdout, 16, was a regular last season on the Fox television series “24,” playing the role of a young Iranian terrorist.

“My biggest fear is becoming typecast as the Muslim Middle Easterner because I think society today has their sights set on the Middle East, and it’s become a much bigger part of American culture,” said Ahdout, who lives in Los Angeles. “I don’t want to necessarily fuel any type of stereotype.”

Ahdout made his acting debut three years ago in the acclaimed film “House of Sand and Fog,” alongside Oscar-winners Jennifer Connelly and Sir Ben Kingsley, a film about an Iranian family in the United States.

New Yorker Dan Ahdoot is another Iranian Jewish entertainer who defied his community’s traditions. Six years ago, Ahdoot almost entered medical school, but — to his family’s chagrin — decided to take a shot at comedy first.

“My whole family was basically against it, but I used that as a motivation to prove them wrong,” said Ahdoot, who hails from the Iranian Jewish enclave of Great Neck, Long Island. “Life is too short and you have to take risks. That’s basically what I did, and thank God it’s paying off.”

Ahdoot’s routine about life as a second-generation Iranian American landed him a spot as a finalist on the 2004 season of NBC’s reality show “Last Comic Standing,” as well as awards from national comedy competitions. He’s currently touring the country doing his routine at various colleges and universities.

“I’ve seen a lot of changes in our community. After my TV appearances I’ve received e-mails from other Iranian Jews saying ‘I’m a lawyer or a doctor and I don’t want to do this anymore,’ ” said Ahdoot, 27.

Ahdoot said many Iranian Jewish families push their children toward higher education and conventional careers rather than entertainment. While that’s common in any ethnic group, Iranian Jewish parents are particularly concerned about financial security because so many were forced to leave behind their life savings when they fled Iran, Ahdoot said.

“Education is almost as important as money in our community because it’s something no one can take away from you,” Ahdoot said. “Most parents in the community believe that ‘we came here with nothing and we built this, so you’re supposed to carry the torch and don’t go down.’ ”

This article was originally published by the Jewish Telegraphic Agency International Wire News Service:
http://www.jta.org/page_view_story.asp?intarticleid=16765&intcategoryid=5

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February 11, 2007 | 7:09 pm

Exclusive Interview: Iranian Jewish Actress Bahar Soomekh

Posted by Karmel Melamed

By Karmel Melamed
January 2006

While the Iranian Jewish community has countless renowned doctors, attorneys and other professionals to point to with admiration, the very talented Bahar Soomekh has become the first and so far only Iranian Jewish actress to have achieved substantial success in Hollywood after landing prominent roles on network television series and major blockbuster films including “Syriana” and the soon to be released “Mission Impossible 3”. Her on-screen magic has made Bahar the pride and joy as well as envy of every young Iranian Jew aspiring to enter the entertainment industry. Bahar’s heartfelt and remarkable performance was captured two years ago after she played “Dorri”, a young Iranian woman in the Academy Award-winning film “Crash” that attracted the attention of Hollywood insiders. Her career has since been launched into orbit with supporting roles in other prominent films. Recently she shared with me her experiences of growing up in our community here in Los Angeles and her difficult journey in making it big as an actress in the entertainment industry.

Can you share with us some background on yourself and where you grew up?

I was born in Iran, Tehran on March 30th. My father is poet and he wanted to name me Bahar, which means ‘Spring’ and named my sister ‘Saba’ which is a ‘light wind in spring’. We traveled around a little before we moved to Los Angeles but we moved from Iran in 79’ before the revolution. I pretty much grew up in Los Angeles, I learned English literary from watching TV and I went to private Jewish school called Sinai Akiba Academy. I then I went to Beverly Hills High School.

What type of training have you had for acting or on stage performance?

I did a little bit of theatre as a kid, I was in an opera but my father who is a lover of music was very encouraging of me playing the violin. I played the violin for 13 years and I used to play with the junior philharmonic. So when I was in school I wanted to act, but acting at that time was just for fun…yet it was always my passion and what I yearned to do. But my father really wanted me to continue playing my violin, so I was the girl in the orchestra pit who would be playing the violin for all the shows that they used to do at Beverly but would enviously look up on stage and wish I was one of the performers up there. From our generation, I was one of the first Persian girls to go away (for college) so I went to U.C. Santa Barbara. There were no Persians, no Jews there and I was just able to lose myself, have fun and enjoy the college life. What I studied at Santa Barbara was environmental studies and just doing theatre for fun there—never thinking I could pursue it as a career. I later came back to Los Angeles, got a corporate job and I was just miserable and devastated working behind a computer in a building, not doing what I loved which was acting. My experience was with theatre but Los Angeles is more of the place for television and film as opposed to theatre, and I had no real training for television. So I had a daytime job doing motivation sales, but meanwhile after work would end, I’d run to Hollywood to take acting classes that started at 7 pm and end at 2 am. I did that for a couple of years to get myself trained and get a better understanding of the world beyond theatre. I had to support my career and get an education at the same time.

When did you know you wanted a career in acting and what motivated you to enter the profession?

I always wanted to. I went to Beverly and all my American friends were acting and everyone I knew and their mother was in the industry. But it was not encouraged in the Persian community and all my American friends were struggling at it, so I decided to keep it as a hobby and not a career. Once I got into a real career in the corporate world I was seriously miserable and I just didn’t want to be 40 and looking back and thinking ‘what if I could’ve but never gave it a chance?’ It’s really scary but with acting there is no guarantee. It’s so different than anything else because in the corporate world you do something and you see your success, but with acting you could go to audition after audition and 90% of time there is rejection. So it’s really trying on your self-confidence and there’s no financially stability, so that’s why I needed to keep my full time job and study on the side. So at lunchtime I just went out for an audition, sneaked out here and sneaked out there, ran across to Burbank and auditioned and ran back to the office. But I had to do it, ultimately the turning point was when I said ‘I’m ready, I think I’m trained and I just have to give it a try’—so the scariest thing I ever did was quit my full time job to pursue acting full time. That was two-and-half years ago. I quit my job, started pursing acting seriously and not even three months later I booked ‘Crash’.

The entertainment industry is very competitive, how difficult was it for you as a person of Middle Eastern background to break into Hollywood as an actress?

The most difficult part was being type-casted. In the beginning it was especially tough after 9/11, all the parts I was going out for said that they were willing to see me for a terrorist, the terrorist’s wife, or the terrorist who blew himself up. For every other part I had to have a Middle Eastern accent—I played an F.B.I. agent on a show and I had to have an accent. But the reality would be that if I was working for the F.B.I., living in the United States I wouldn’t have such a hardcore Middle Eastern accent, I would have assimilated by then and lost the accent. Even though I don’t necessarily only look Middle Eastern, I could play Italian or Spanish, if you’re Middle Eastern you can only play a Middle Eastern. So that was one of most frustrating things, I knew I had to do that to build up my resume until something phenomenal would come by and it doesn’t matter than I’m Middle Eastern I could play anybody in any movie or TV show. So ‘Crash’ was that movie for me.

How did you come about landing the role of ‘Dorri’ in the film ‘Crash’?

I fought very hard to get this part. When they were auditioning people, my agent wasn’t very good at the time I had heard about this film. I had read the script and I was dying…my heart was aching to be part of it. I loved my character Dorri so much and really related to her and how she was feeling, so I kept calling my agent and said ‘they’re auditioning for this part’. The way I found out was that there was this Indian girl who wanted to hire me to teach her how to speak Farsi for the movie. I had been waiting six months for them start casting for that film and I said ‘no way am I going to teach this girl how to speak Farsi, this is my part!’ I kept calling my agent and he wouldn’t even try, he was like ‘yeah, yeah I’ll take care of you’ and I heard through the grapevine that they were going to offer another woman the part. So in desperation I called the one person I knew, another Jewish Persian girl in the industry at a very prestigious agency called William Morris—her name is Ashley Daneshrad. I called her and said ‘I need you to do me this favor, there’s this part and my agent can’t get me in, can you try to get me in?’ She called them and said don’t give the part to this other woman until you give Bahar Soomekh a chance. So I went in there totally as the underdog, but I went in there and gave them my heart, my soul, and love for Dorri. I felt like I owed it to all the people that came to this country and loved and took care of their parents…I owed it to them to breath life into Dorri. I sobbed my eyes out in the audition, they said ‘thank you’ and I walked out. I went into my car and literary cried for about forty minutes because I loved her so much and it hurt me think that I wouldn’t be able to do this film. And then two days later I got the call that I booked it.

In “Crash” your character frequently speaks Persian to the character playing your father, has knowing Persian and the culture been an asset to landing your roles?

Oh absolutely. It’s a story about L.A. and Persians are a significant part of L.A.’s population. My character was a first generation in the United States, but my character didn’t necessarily have to be Persian it could be any culture whose kid goes up in the United States and whose parents still have not assimilated. I can’t tell you how many people outside of the Persian community related to my character. When you’re a first generation who almost takes on a parental role with your parents, and my character was the same way, that kept going to the store when something went wrong. I related to it on a Persian level because I’m very protective about my parents, since I knew English better and understood the American culture better that I had to take care of my parents. I understood the dynamics of a strong family bond.

What has the experience of working opposite major Hollywood actors like Tom Cruise on large-scale films been like for you? Is the work as glamorous as people think it is?

First of all it’s so surreal. You just brought up M.I.-3, Tom Cruise was my childhood crush, and I was obsessed with Tom Cruise since ‘Top Gun’. I can recite every single line of that film and here I am, I get to meet and work with him…it’s just surreal. Not just with him, but also with so many other phenomenal actors, in ‘Crash’ I got to work with Don Cheadle. Don is probably one of the most talented and remarkable artists I have ever known. I got to work with Philip Seymour Hoffman in Mission Impossible 3, and he’s just another creative genius. It’s real, exciting, and so fun to see the people that I’ve watched on TV, to be collaborating with them and make art with them.

Iranian Jewish parents seem to want their children to join professional occupations, what was your family’s reaction when you told them you wanted to be an actress?

My parents were not encouraging in the beginning. Of course who wants to see their daughter out of work all the time because they’re not booking something and every parent wants their child be a doctor or lawyer. But my sister and I have always been non-traditional and doing things we were passionate about like environmental work. At first they were definitely hesitant, now they’re so proud and excited. My parents have been such good role models for me and represent what a lot of Persian Jews in L.A. represent, which is hard-working people that love their families. They really committed their lives to making a good living for their families…and not giving up. Even though they weren’t excited about me becoming an actress, they never ever said ‘don’t do it’ and they never tried to say ‘don’t do it and you should become a doctor or lawyer’. They said it’s not the best industry and this is a tough world, but if this is what you want to do, then we support you.

What type of response or feedback have you received from the Iranian Jewish community since you’ve achieved success in landing roles on major television and film projects?

It’s so sweet and I am so grateful. It’s so nice to have a community that really supports you and is proud of you. Wherever I go, people I don’t even know grab me, hug me and tell me how proud they are and how exciting it is for them to see someone on the big screen from their community. It’s really a lot of brotherly and sisterly love – I’m overwhelmed and honored by it all. The older generation has been so encouraging and telling me how proud they are and it’s unbelievable how many people my age in the community tell me ‘it’s always been my dream and I’m living vicariously through you’.

How important is Judaism in your life now and how are you involved in the community?

Judaism a significant part of who I am in my life. I went to Sinai Temple, I learned my English there, and I’m a member of that congregation. I think Judaism has enriched my life and developed who I am. I hope to raise my family with the values and ideals of Judaism, and the big one for me is ‘Tikkun Olam’. I studied environmental education and one of the things I think is important is the health of our environment or children’s issues. One of my dreams is to utilize whatever I can and utilize my name to bring attention to certain causes involving environmental and children’s issues.

You’ve landed amazing roles on widely movies like “Crash”, “Syriana”, and “Mission Impossible 3”, as so what’s next for you?

Acting, I love acting and that’s where I want to be. Right now my agent, manager, and I are in the process of deciding what my next move is.

What advice do you have for other young Iranian Jews looking to enter the entertainment industry but are facing opposition from their parents?

I would say their passion and commitment to it should be a 110-percent and honestly don’t give up. Even as an actress it might take several years to establish yourself, get recognized in the industry and build a resume of good work until you get acknowledged and recognized. So it’s constant hard work and chipping away at it. Tell your family that ‘I need you to support me because this is going to be the hardest thing I’ve ever done’.

This interview was originally published in the Iranian Jewish Chronicle Magazine: http://ijchronicle.com/article.php?idcat=19&idart=19

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February 11, 2007 | 7:00 pm

Iranian Colored Band Report Discredited

Posted by Karmel Melamed

By Karmel Melamed
05/26/06

When the renowned exiled Iranian journalist Amir Taheri reported in a Canadian newspaper last week that Iran had just passed a law requiring Jews to wear yellow bands on their clothing, the world reacted with shock. The story, which also outlined required colored bands for Christians and Zoroastrians, was immediately picked up by major newspapers in Israel, and the word spread quickly. The purpose of the law according to Taheri’s article, was to set a standard dress code for Muslims and also for Iranian Muslims “to easily recognize non-Muslims so that they can avoid shaking hands with them by mistake and thus becoming najis [unclean]”.

The story seemed credible, given that Iranian President Mahmoud Ahmadinejad has been making anti-Semitic and anti-Israel proclamations for months. But, as it turned out, Taheri was wrong. No such law had been passed.

Nevertheless, Taheri’s report set in motion a media frenzy, with checks and balances of rumor control that illustrate how on edge — and careful — the Iranian exile community is these days. Local Iranian Jewish leaders were bombarded with requests for comments from the international media on the reported legislation, but they held back from responding until they had received solid confirmation from their sources in Iran.

“To the best of my knowledge the final version of the law does not demand any identifying marks by the religious minority groups,” Sam Kermanian, secretary general of the Los Angeles-based Iranian American Jewish Federation said in a press release. “I am not aware of what was said by whom, but it is possible that some ideas might have been thrown around.”

Kermanian also said that while Iran’s Islamic officials have in the past put out ideas in the media to gauge international reaction, there was no specific information about this instance.

The report stemmed from new legislation geared to making women in Iran dress more conservatively and avoid Western fashions, Iranian legislator Emad Afroogh Afroogh who sponsored the Islamic Dress Code bill told the Associated Press on Friday. Allegations that new rules affecting religious minorities were not part of the new regulations, he said.

“It’s a sheer lie. The rumors about this are worthless,” Afroogh said. “There is no mention of religious minorities and their clothing in the bill.”

Morris Motamed, the Jewish representative in the Iranian Parliament also denied the existence of any bills designed to segregate Jews in the country with special insignia on their clothes.

“Such a plan has never been proposed or discussed in the parliament,” Motamed said. “Such news, which appeared abroad, is an insult to religious minorities here.”

Rumors of anti-Semitic laws in Iran have disturbed local Iranian Jews who have been increasingly concerned for the safety of roughly 25,000 Jews still living in Iran since Ahmadinejad denied the existence of the Holocaust and called for Israel to “wiped off the map” late last year.

“The mere fact that such possibilities are considered to be plausible is a reflection of the sad state of affairs of the religious minority groups in Iran,” Kermanian said in his press release.

According to a 2004 report prepared by Frank Nikbakht, a local Iranian Jewish activist who tracks anti-Semitism in Iran, the Jewish community lives in constant fear for its security amid threats from militant Islamic factions in the country. Since 1979, at least 14 Jews were murdered or assassinated by the regime’s agents, 11 Jews have disappeared after being arrested, at least two Jews died while in custody and 11 Jews have been officially executed by the regime. In 1999, Feizollah Mekhoubad, a 78-year-old cantor of the popular Yousefabad synagogue in Tehran, was the last Jew to be officially executed by the regime, stated the report.

In 2000, the local Iranian Jewish community was at the forefront of an international human rights campaign to save the lives of 13 Jews in Shiraz. They were facing imminent execution after being arrested on trumped-up charges of spying for Israel and the United States. Ultimately, the Shiraz Jews were not executed but sentenced to prison terms and have since been released.

Both Jews and Muslims of Iranian origins living in Southern California have been closely collaborating to raise public awareness of Ahmadinejad’s comments. Nearly 2,000 Iranians of various faiths gathered at a pro-Israel rally in Westwood last November to condemn Ahmadinejad’s calls for Israel’s destruction.

“We wanted to show the world that we are against such comments made by Mr. Ahmadinejad and that his comments are not representative of the Iranian people,” said Assadollah Morovati, owner of KRSI “Radio Sedaye Iran,” a Persian language satellite radio station based in Beverly Hills that broadcasts news around the world. “Iranians are not the type to want the destruction of another people. We respect the Jewish people and only wish success for the State of Israel.”

Karmel Melamed is an internationally published freelance journalist based in Southern California

This article was originally published by the Jewish Journal of Greater Los Angeles:
http://www.jewishjournal.com/home/searchview.php?id=15913

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