On the flight back from a recent trip to Italy, I took a slight flight risk and decided to watch Madonna’s critically maligned movie “W.E.” Since I had not heard a single positive thing about it (save for Andrea Riseborough’s performance as Wallis Simpson) I was not particularly excited about my choice. But since the flight was 12.5 hours and it was either that or “Jeff Who Lives At Home” I went for stylized melodrama over modern melancholy.
And reader, I liked it.
The film tells the story of Wally Winthrop, a young, upper-crust New York City housewife whose marital turmoil fuels an obsession with romantic legend: the love affair between the Duke and Duchess of Windsor, otherwise known as King Edward VIII and the American coquette Wallis Simpson. Their romance scandalized a nation; it began when she was married and compelled him to abdicate his throne. The film has its flaws of course, but it was also intense and entertaining. The score, by Polish composer Abel Korzeniowski was a highlight, and though the script was somewhat uneven in its focus on the modern thread (Wally’s affair with a Sotheby’s security guard) and not the classic story, the dialogue was sharp and smart.
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