The new trailer is up for “Wolfman,” a remake of the 1941 classic due out February 12. It features intense action, some gorgeous period sets and lycanthrope-a-rific transformations. But if you think it looks a little goyishe (Benicio Del Toro, Anthony Hopkins, Emily Blunt…), you’re missing all the Jewish subtext, my friend. (And Gene Simmons providing the Wolfman’s howls.)
Here’s Jeremy Wexler on the Jewish aspects of the werewolf:
[The] modern-day werewolf ... is largely a metaphor for being Jewish in the 20th century. Consider the modern werewolf narrative: A hairy young outsider becomes saddled with an identity he doesn’t want or particularly like, the meaning of which is told to him by an old European lady speaking a lot of mumbo jumbo. He is in love with a blonde girl who loves him back, but their love is doomed. Eventually he gets chased and killed by a bunch of peasants with pitchforks and torches. And, oh, yes, he feasts on human blood, but it’s not his fault.
The parallels between Jewish ideas of how non-Jews perceived us and the lifecycle of the werewolf aren’t surprising, considering that Jews effectively created the modern werewolf.