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"What I am saying is if you are religious at all, you are an extremist," Maher said in a phone interview last week.
What does it mean that Spielberg's other founding partners, David Geffen and Jeffrey Katzenberg, are no longer with the company?
"I really, really believe that I have the skills, the courage, the conviction and the know-how to make a difference in the peace process in the Middle East."
Not to worry, though, there is, as always, a Jewish angle. In this case, it's two films, "Shalom Ireland" and "Grandpa . . . Speak Russian to Me," set for Saturday evening, Oct. 4.
"Hy looked at me and said, 'He's not Jewish,'" recalled his wife, Zucky Altman, 89. "I said, 'So what? He's hungry.' From that moment on, we decided we would just feed everybody."
The story is told from the perspective of 8-year-old Bruno (Asa Butterfield), who is chagrined when his father (David Thewlis, who plays Remus Lupin in the "Potter" films) takes over as commandant of a remote labor-turned-death camp.
More than 60 years have passed, yet French filmmakers are still wrestling with their country's less than heroic role under Nazi occupation during World War II.
"My big idea for the CD was, 'Let's give this to our families for Chanukah,'" Hyams said. "I never thought we'd get a record deal, because I figured 'This is stupid and Jewish and no one cares except us.'"
What can the most successful doll on the planet show us about being Jewish today? Narrated by Peter Coyote, the film mixes old school narration with a new school visual style. The Tribe weaves together archival footage, graphics, animation, Barbie dioramas, and slam poetry to take audiences on an electric ride through the complex history of both the Barbie doll and the Jewish people- from Biblical times to present day. By tracing Barbie's history, the film sheds light on the questions: What does it mean to be an American Jew today? What does it mean to be a member of any tribe in the 21st Century? Finally available fee online.
"I remember at an early age being told in school that Jews were a minority in the world," filmmaker Azazel Jacobs mused. "And I remember just not believing that because I lived in New York City and thinking they must have things wrong because I was surrounded by so many Jews. That was the whole world to me."
Her chance came when she heard Sauvage say he intended to create financing for a movie as his summer MBA project in 2005. "You should make your movie about me," she told him. Sauvage, who at the time did not know she had been abused, cavalierly replied that unless she had been a child prostitute, he wasn't interested.
"It was one of the most hilarious speeches I had ever heard," Bonham Carter recalled of Weiland's spiel. "Afterwards Paul was absolutely mobbed with people who thought he should turn the story into a movie. And I asked if I could play his mum."
"I had not 'done' Jewish before," Helena Bonham Carter said breezily of why she chose to play a Jewish character in Paul Weiland's semi-autobiographical film, "Sixty Six."
I decided to watch every film adapted from Philip Roth's work. My mission started simply enough: a search on imdb.com turned up eight works on film and TV, stretching back to the 1950s. Some had never been released on video, some are only in VHS, some were available at the local video store, some had to be tracked down in specialty shops or in university or museum archives. My quest led me across Los Angeles and afforded me the pleasure of visiting some of the city's most beautiful libraries and research facilities, as well as some of its best-stocked video stores.
To Max's surprise and delight, the bereaved widow proves quite amorous, insisting, as do his other female companions, that a man is never too old for some active love-making
In "David and Fatima," the Montague and the Capulet clans become the Aziz and the Isaacs, setting the stage for a battle of the two faiths
"Suddenly, I cared less about a hit movie or making money than I did about giving back. That was the legacy that I wanted," Lansing said.
" . . . We have one thing that's not happening now that happened then, which was the memory of the Holocaust. We are 50-plus years removed. The urgency that existed then doesn't exist today. The Federation campaign did better with Lou Wasserman -- people didn't tell him no. There isn't that iconic person like Lou who is willing to be identified publicly with their Judaism . . ."
Michael Ross, the former producer of and writer for iconic American sitcoms "All in the Family," "The Jeffersons" and "Three's Company," has given some $14 million to create Jewish studies programs at UCLA and City College of New York in recent months.
"To be a good talent representative that's part of the entertainment community and a productive citizen, you need to feel part of something larger than yourself," he said. He speaks in whips, charging the room like a bulldozer, imparting us with his wisdom, interspersing the F-word here and there for dramatic effect.
In the Israeli film "My Father My Lord," the secular or casually religious Jew encounters a world whose mindset and lifestyle might as well be thousands of miles and centuries away. It is the world of the charedi, or ultra-Orthodox, community, in which every action, every thought, is determined by God's law, as elucidated by the sages.
The Associated Press reports that Steven Spielberg’s Righteous Persons Foundation will give $1 million to the National Museum of American Jewish History to build a new building in Philadelphia.
A Major Documentary on Current Environmental Threats and How Jewish Teachings Can Be Applied in Responding to These Threats.
Early in "A Jihad for Love," a new documentary directed by Parvez Sharma and produced by Sandi Simcha Dubowski, we meet Mazen, a 20-something Egyptian man who has fled Cairo for Paris to avoid the three-year prison sentence authorities want to impose on him because he is gay.
What are the inks between Europe's obsession with things Jewish and the Wild West?
Ezra Schwartz: In the summer of 1992 I was looking for a short story to animate. Nothing seemed to click, until I read "Gimpel The Fool" by Isaac Bashevis Singer. I realized that the characters, beliefs and conflicts in this wonderful story were related to me, my family and people I knew -- Eastern European Jews who emigrated to Israel after the second world war.
Government 'public service' movie admonishes Americans that they will lose their country if they let fanaticism and hatred turn them into "suckers."
"Let's forget about 'we' and 'they' -- let's think about us!" In the context of the emerging Cold War, this film appears paradoxical.
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10/7/08 7:30 pm
Jewish Philosophy and Wellness Medicine
10/7/08 7:30 pm
Israeli Folk Dance Tuesdays at Westside JCC with James Zimmer
10/8/08 10:00 am
Writing with Light
10/8/08 10:00 am
Picturing the Process: Landscape Through Time and Space
10/8/08 10:00 am
A Literacy of Images: Nancy Newhall and the Art of Photography
10/10 6:06 p.m. PDT
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Parshat Vayeilech (Deuteronomy 31:1-31:30) Didn't we just finish Pesach? How is Rosh Hashanah already here again? Another year has slipped away.