The youngest of the survivors of Kristallnacht, those who can actually recall the events give it texture and context, are now in their mid-70s. Soon, all too soon, the generation that lived through these events will be no longer and living memory will be replaced by historical memory.
A generation is passing, but it is a generation that has left behind voluminous records, testimonies and memoirs, video recordings and diaries, letters, notes - the raw stuff from which not only the historical record can be reconstructed but the personal narrative, the very lives that were lived and lost, can be recaptured, at least in part, at least for some.
Four books have recently been published that grapple with the Holocaust and recover lives that would otherwise be lost. Two are memoirs written by Holocaust survivors for whom English is not their native tongue and writing their learned obligation rather than their vocation. The other two are the work of descendants, professional writers who learned of the Holocaust by listening to those who were there and set out on their own journey to encounter the past and it.
Daniel Mendelsohn's "The Lost: A Search for Six of Six Million" (Harper Collins: 2006) is a gripping story told so very beautifully. Mendelsohn's grandparents left Europe and came to the United States in the great wave of immigration in the early 20th century. His grandfather was an Orthodox Jew who migrated to Miami, and Mendelsohn was raised on Long Island in a home where Jewishness was venerated but the attachment to tradition and Jewish learning were attenuated. A classics scholar by training, he is more at home in Greek civilization than with ancient Hebrews or contemporary Jews, and yet it is the memory of his grandfather's brother and his family lost in the Shoah, the unspoken loss within his own family, transmitted only in the most fragmentary of memories, that propels him forth to seek his past and to uncover the family secret. He is haunted by the presence of absence and the absence of presence, and thus sets out on a journey that takes him to Australia and Israel, to Sweden and to Ukraine to Poland and elsewhere, all in search of six people from the small village of Bolechow who were murdered in 1941, 42 or 44 -- two of whom were saved for a time and later betrayed. His siblings join him for part of the journey; his friends join him for other parts; and his family, present and absent, looms large in the narrative.
As he confronts his personal past, his search deepens, and he reads and rereads his journey through the legacy of his people as captured in the opening sections of Bereshit (Genesis), and bringing his manifest literary skills to his new study of Torah. The result is satisfying because his talent for storytelling is so evident. And sometimes as the novice, especially one so well trained in reading ancient literature, he brings new insights and a freshness to this very familiar material. His search for just these six people encapsulates the history of the Holocaust, the journey of survivors after the war to the lands of their resettlement and rebirth, and the passage of one Jew forth unto the past and unto himself.
Lech Lecha is the commandment given to Abram, the first demand of a demanding God. Translated "Go forth", the words literally mean "go unto yourself." Every journey outward is also a journey inward, as Mendelsohn -- and we -- soon discover.
His quest takes place just in time. He meets people who will soon be gone, who do not live to read of his discoveries, and he weaves together the distant recollections of dispersed and aging people into a tapestry that is rich and deep and by the end almost complete. He brings the reader along on his quest, making us relive his experience and piece together the fragments of information that he receives as he receives them. We experience his hopes and his disappointments as he experiences them, and we become ever more invested in this journey that soon may also become ours as well. His discoveries are miraculous -- seeming coincidences that soon feel like destiny.
Mendelsohn's begins with dim recollections. He must go forth on his own. In "Sala's Gift: My Mother's Holocaust Story" (Free Press, 2006), Ann Kirschner begins with so much more. She possesses very rare documents; a series of letters written to Sala during her incarceration in seven Nazi slave labor camps by her family and friends, which she scrupulously guarded and saved. Because she was in slave camps and not concentration camps, Sala was able to save the letters. Kirschner only has the letters written to Sala; her responses were not preserved, but Kirschner's commentary skillfully brings Sala's story to life. Meticulously researched and respectfully presented, she seldom intrudes and always illumines so that we come to appreciate Sala's struggle, her family's anguish, when she is taken off to camp and they are left behind, and when she volunteers to go instead of her more reserved, less-worldly sister. We learn more of Sala's friends and their impossible circumstances. For historians, one of Sala's friends is of particular importance: Ala Gertner, who worked with Moshe Merin, the controversial leader of the Sosnowiec area, who was later one of the four women hung at Auschwitz for smuggling gun powder to the Sonderkommand to facilitate the October 1944 uprising that destroyed a gas chamber at Birkenau. We see a mother-daughter relationship play out in discovery and admiration. Originally conceived as an exhibition for New York's famed 42nd Street Library that soon resulted in a very satisfying book, "Sala's Gift" is a singular work that extends our understanding of Jewish women and the manner in which they struggled for survival.
Zenon Neumark's "Hiding in the Open: A Young Fugitive in Nazi-Occupied Poland" (Vallentine Mitchell, 2006), joins the many stories that have been told in recent years by younger survivors who used their youth as a weapon of survival and escaped living in the "Aryan" world while all that they knew -- their families, their villages, their towns and their loved ones -- were destroyed. The reader should know that I wrote the foreword to this book and assisted him in finding a publisher, but I have no financial interest in its success.
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