Jewish Journal

Writer Stepping Out With ‘In Her Shoes’

by Naomi Pfefferman

Posted on Oct. 6, 2005 at 8:00 pm

Cameron Diaz, left, and Toni Collette play two very different sisters who connect over footwear in 'In Her Shoes'

Cameron Diaz, left, and Toni Collette play two very different sisters who connect over footwear in 'In Her Shoes'

When Jennifer Weiner attends the premiere of "In Her Shoes" -- based on her 2002 chick-lit best seller -- she'll wear a brand new hairdo.

This past summer, the 35-year-old and her younger sister, Molly, an actress, both had identical geometric bobs. But since sis is one of her dates for the premiere, Weiner grew her brown hair shoulder length, added blond highlights and loose waves that she says are very "in" for fall.

"I decided we couldn't both have the same hair on the red carpet," she adds with a laugh.

The way sisters compete and relate is the subject of Weiner's novel and the movie, directed by Curtis Hanson ("8 Mile") and adapted into a screenplay by Susannah Grant ("Erin Brockovich"). Like the book, the droll but heartfelt film revolves around Jewish siblings who have nothing in common except size 8 1/2 feet and a wicked stepmother. The fictional Maggie (Cameron Diaz), a Size 0 babe, is an irresponsible party girl with dyslexia. Rose (Toni Collette), a frumpy Size 14, is a successful attorney with low self-esteem about her looks and her love life.

Rose collects shoes to make herself feel better; Maggie covets and pilfers the boots and high heels.

It is only when the sisters reconnect with their long-lost grandmother (Shirley MacLaine) that they learn to make peace with each other -- and the footwear issue.

The shoes become a metaphor for all the ways the sisters are jealous of each other -- "for wanting to inhabit someone else's skin and get what they get out of life," Weiner says.

The author is barefoot in her Philadelphia bedroom after her recent haircut, as she insists that the fictional siblings are not versions of herself and her own sister. But their relationship did spark questions that inspired the story. Weiner's sister didn't steal her shoes, but she took her clothes, mostly her plus-sized sweatshirts when the 1980s film, "Flashdance," made oversized sweats fashionable.

"I was the responsible one, saying 'Mom says we have to be home by 11,' and she was the one saying, 'Let's take the car keys. Mom will never know,'" the writer recalls. "She was always cute, [petite] and bubbly, while I was more, 'Jenny, get your nose out of that book.'"

As she wrote "In Her Shoes," she wanted to work through an obvious, but puzzling, conundrum: How can people who grew up in the same house wind up radically different individuals?

The blond, blue-eyed Cameron Diaz looks less like either Weiner sister and more like the gorgeous WASPs both siblings grew up with in Simsbury, Conn. The dark-haired Weiner "felt like an outsider in so many ways," she told the Journal in 2002. She says she was "funny-looking," brace-faced and plump. On her youth trip to Israel, where there were four other Jennifers, she was labeled "the fat one."

Weiner spent the next decade dieting and seeing nutritionists -- until she had an epiphany in the late 1990s.

"It had been 10 solid years of trying to get somewhere my body didn't want to go," she says. "And I really just got to the point where I thought, 'How much more nonsense am I going to put myself through, and how much time am I going to waste? And looking at the world and seeing the genuine suffering and injustice, how much more of my life do I want to devote to looking like Jennifer Anniston?' And I said, 'I am through with this, and I'm going to work with what I have and try to be happy and take some of this energy and put it someplace else.'"

The energy went into writing her semiautobiographical debut novel, "Good in Bed," whose troubled, zaftig heroine winds up living happily ever after without shedding a pound. That's more or less what happened to Weiner, who is now married to a menschy attorney, with a 2-year-old daughter and a stellar writing career to boot.

Her wickedly witty but flawed heroines have made her the biggest chick-lit success story since Helen Fielding burst through with "Bridget Jones's Diary," according to Entertainment Weekly. The Jerusalem Post called Weiner the Jewish girl's answer to Fielding.

Weiner says she enjoys creating Jewish, plus-sized heroines, partly because she is writing what she knows, and partly because such characters are often invisible in the popular culture. Heavy women, especially, are ignored or played for laughs.

"[Take] Kirstie Alley in 'Fat Actress,' cutting Lane Bryant labels out of her clothes and sewing Prada labels in instead," Weiner says by way of example. "Or Sarah Rue in [ABC's] 'Less Than Perfect.' Like, excuse me, Size 10 is less than perfect? The average size for women in America is 12. So there's a marginalization that goes on, and you don't ever see that anyone [overweight] can be beautiful and happy."

Considering Hollywood's weight phobia, Weiner felt victorious when actress Toni Collette ("The Sixth Sense") agreed to gain 25 pounds for the film. Collette has admitted she was reluctant to put on the weight.

"But I love my character and I think the extra pounds are pertinent to the way Rose sees herself," Collette said at a press conference. "She overlooks herself, and I think most people walking past her would probably do the same. But as an audience member, you get to know her and you see her getting to know herself.... Her name is Rose and you really watch her blossom."

The movie also features amusing, if occasionally cliched, Jewish characters based on residents of the Florida retirement community where Weiner's grandmother lives. There is a joyous Jewish wedding and a grotesquely caricatured Jewish American Princess, the sisters' wicked stepmother. Weiner -- who finds the character "recognizable" -- loves the scene in which the "stepmonster" gets her just desserts. (She discovers that her biological daughter has joined Jews for Jesus.)

If the fictional sisters enjoy their Cinderella-like happy ending, so does Weiner. Her books have sold millions of copies worldwide; Hollywood is snatching up the movie rights, and her latest novel, "Goodnight Nobody" (Atria Books) just hit bookshelves.

And then there's the "Shoes" premiere, where the author will sashay down the red carpet not in glass slippers, but in strappy Nine West silver stilettos.

Perhaps she's hoping her sister will wear something else.

The film opens Friday.


Tracker Pixel for Entry


View our privacy policy and terms of service.