April 15, 2009
The Wedding Gown That Made History
Lilly Friedman doesn’t remember the last name of the woman who designed and sewed the wedding gown she wore when she walked down the aisle more than 60 years ago. But the grandmother of seven does recall that when she first told her fiancé Ludwig that she had always dreamed of being married in a white gown, he realized he had his work cut out for him.
For the tall, lanky 21-year-old who had survived hunger, disease and torture, this was a different kind of challenge. How was he ever going to find such a dress in Bergen-Belsen’s displaced person’s camp, where they felt grateful for the clothes on their backs?
Fate would intervene in the guise of a former German pilot who walked into the food distribution center where Ludwig worked, eager to make a trade for his worthless parachute. In exchange for two pounds of coffee beans and a couple of packs of cigarettes Friedman would have her wedding gown.
For two weeks Miriam the seamstress worked under the curious eyes of her fellow DPs, carefully fashioning the six parachute panels into a simple, long-sleeved gown with a rolled collar and a fitted waist that tied in the back with a bow. When the dress was completed she sewed the leftover material into a matching shirt for the groom.
Lilly and Ludwig Friedman on
their wedding day, Jan. 27, 1946.
A white wedding gown may have seemed like a frivolous request in the surreal environment of the camps, but for Friedman the dress symbolized the innocent, normal life she and her family had once led before the world descended into madness. Friedman and her siblings were raised in a Torah-observant home in the small town of Zarica, Czechoslovakia, where her father was a melamed (teacher), respected and well liked by the young yeshiva students he taught in nearby Irsheva.
He and his two sons were marked for extermination immediately upon arriving at Auschwitz. For Friedman and her sisters it was only their first stop on their long journey of persecution, which included Plashof, Neustadt, Gross-Rosen and finally Bergen-Belsen.
Four hundred people marched 15 miles in the snow to the town of Celle on January 27, 1946, to attend Lilly and Ludwig’s wedding. The town synagogue, damaged and desecrated, had been lovingly renovated by the DPs with the meager materials available to them. When a sefer Torah arrived from England, they converted an old kitchen cabinet into a makeshift Aron Kodesh.
“My sisters and I lost everything. Our parents. Our two brothers. Our homes. The most important thing was to build a new home,” Friedman said.
Six months later, Friedman’s gown was in great demand. Her sister Ilona wore the dress when she married Max Traeger. After that came her cousin Rosie.
How many brides wore Friedman’s dress? “I stopped counting after 17,” she said.
The three sisters are pictured with their
families standing in front of a cattle car
like the one used to transport them to Auschwitz.
When President Harry Truman finally permitted the 100,000 Jews who had been languishing in DP camps since the end of the war to emigrate in 1948, the gown accompanied Friedman across the ocean to America. Unable to part with her dress, it lay at the bottom of her bedroom closet for the next 50 years, “not even good enough for a garage sale. I was happy when it found such a good home.”
Home was the U.S. Holocaust Memorial Museum in Washington, D.C.
When Friedman’s niece, a volunteer, told museum officials about her aunt’s dress, they immediately recognized its historical significance and displayed the gown in a specially designed showcase, guaranteed to preserve it for 500 years.
But Friedman’s dress had one more journey to make — the Bergen-Belsen museum, which opened on Oct. 28, 2007. The German government invited Friedman and her sisters to be their guests for the grand opening. Although they initially declined the invitation, the family finally traveled to Hanover the following year with their children, their grandchildren and extended families to view the extraordinary exhibit created for the wedding dress made from a parachute.
Friedman’s family, who were all familiar with the stories about the wedding in Celle, were eager to visit the synagogue. They found the building had been completely renovated and modernized. But when they pulled aside the handsome curtain they were astounded to find that the Aron Kodesh, made from a kitchen cabinet, had remained untouched as a testament to the profound faith of the survivors. As Friedman stood on the bimah once again, she beckoned to her granddaughter, Jackie, to stand beside her where she was once a kallah (bride).
“It was an emotional trip. We cried a lot,” she said.
Two weeks later, the woman who had once stood trembling before the selective eyes of the infamous Dr. Josef Mengele returned home and witnessed the marriage of her granddaughter.
The three Lax sisters, Lilly, Ilona and Eva, who together survived Auschwitz, a forced labor camp, a death march and Bergen-Belsen have remained close and today live within walking distance of each other in Brooklyn. As mere teenagers they managed to outwit and outlive a monstrous killing machine, then went on to marry, have children, grandchildren and great grandchildren and were ultimately honored by the country that had earmarked them for extinction.
As young brides, they had stood underneath the chuppah and recited the blessings that their ancestors had been saying for thousands of years. In doing so, they chose to honor the legacy of those who had perished by choosing life.
Helen Zegerman Schwimmer, the author of “Like The Stars of The Heavens,” is online at helenschwimmer.com.
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