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June 29, 2006

Song of the Sons

Parshat Korach (Numbers 16:1-18:32)

http://www.jewishjournal.com/torah_portion/article/song_of_the_sons_20060630

The centerpiece of the third section of the Tanach, the section known as Ketuvim (the Writings), is the Book of Psalms. The Book of Psalms contains some of the most majestic poetic images in the history of the Hebrew language. They express awe at the artistic power of the Creator and express wonder at the reality of all Being. They reflect on the redemptive design of the God of history who took us out of Egypt and anticipate the ultimate redemption at the end of days. They cry out in the pain of human suffering and appeal to a God of healing. They protest the injustice that surrounds us and the domination of the powerful over the weak. They sing of the yearning for communion with God. And more.

Nowhere is the relationship between God and the Jewish people articulated with more poetic power or artistic beauty than in the 150 chapters of the Psalms. The Psalms have withstood the test of time with their undiminished power to inspire, to move, to touch and elevate the human soul.

The original purpose of the Psalms was liturgical, written to be sung by a choir of Levites during the sacrificial service in the Temples in Jerusalem. Still, in our own day, many of the Psalms are used liturgically and comprise entire sections of the prayer book, the most obvious examples being Psukei d'Zimrah (the preliminary service recited daily before the Shachrit prayers) and Hallel, (the thanksgiving liturgy recited on holidays and Rosh Chodesh), the kabbalists of Safed in the 16th century used Psalms when creating the Kabbalat Shabbat service, which introduces the Shabbat evening prayers with great beauty.

Although the Talmud (Bava Batra 14b) ascribes authorship of the Book of Psalms to King David, even the Talmud ascribes composite authorship, insisting that David incorporated earlier collections of Psalms into his own. Among those the Talmud identifies are two collections, Psalms 42-49 and Psalms 84-88, 13 in all, that were written by the sons of Korah.

It is a stunning statistic that almost 10 percent of the Book of Psalms was written by the sons of Korah. The very name, Korah, symbolizes all that can go wrong in communal life. Korah was the cousin of Moshe and Aharon and Miriam, who protested the undemocratic centralization and personalization of power in the other side of the family. Korah led a rebellion in the wilderness against the authority of Moshe and Aharon. In the guise of egalitarianism and inclusiveness, with the claim that all of the Levites are equally holy, Korah incited 250 followers to join him in his rebellion. The rebellion was immediately recognized as a thinly veiled exercise of political opportunism and a shameful power grab. The rebellion ended badly, as it should have, as it was destined to. In the final scene, Korah was swallowed up by the earth, his minions and his ideas disappearing with him into the depths.

But his sons were not with him.

One might think that because his end was so dramatic, so violent, and so final, that Korah was wiped out once and for all. Remarkably, even though Korahism was dealt a fatal blow in the wilderness, the line of Korah did not die. The sons embraced the claim of the father that they were indeed holy, and they wrote holy words. His sons became poets; they wrote Psalms.

That is, perhaps, one of the reasons why Psalm 49 was selected to be read in a house of mourning. Beyond the ideas contained in the words themselves lies the power of the Psalm's authorship. The heading of the Psalm reads: "To the leader: A Psalm of the sons of Korah." The message of Psalm 49, a lesson the sons apparently learned from the bad example of their father, is that death comes to everyone, rich and poor alike. The importance of wealth and status in life is exaggerated because neither can protect us from death; nor are they of any use to us after we die. What is important in life, and in death, are the relationships we have formed with loved ones, with friends, and with God. Love transcends death. Love is eternal, and lives on after us.

Korach is the symbol of rebellion and conflict and despair; his sons are a symbol of hope. Korah brought dissension and tension into the world; his sons comfort the bereaved. Through the words of the sons of Korah, and by their example, we are inspired to embrace life with gratitude, with optimism and with passion, as long as our souls remain in our bodies.

Perry Netter is rabbi of Temple Beth Am in Los Angeles and author of "Divorce Is a Mitzvah: A Practical Guide to Finding Wholeness and Holiness When Your Marriage Dies" (Jewish Lights, 2002). He can be reached at pnetter@tbala.org.

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