Greenberg's View
Kristallnacht Then and Now
Kristallnacht Then and Now
When the German forces surrendered to the Allies in May 1945, World War II in Europe ended. However, for the Jewish survivors of the Holocaust, the trauma of what they endured wasn’t over. For many, the effects lingered on in ways large and small, noticeable and not, often in ways their families came to know.
“If there’s music in a movie,” said Robert Kraft, president of Fox Music, “whether on screen, or underscore, or someone is playing guitar in a scene, I’m involved.”
The summer of 1969 was host to a pair of historic events — the moon landing and the Woodstock festival — that seemed to define the ’60s. As we revisit those events this summer, it is fair to ask: What did they mean, what did they accomplish and what parts of the ’60s have meaning today?
If you believe all the tech pundits, the future of home movie watching will be moving to “the cloud.” We’re already well on the way to where Netflix DVDs will no longer arrive in the mail and sit, unwatched, on an entryway table. Soon all films and many reruns of TV shows will be downloaded and sit on your hard drive — indeed, this option is already available in many cases.
Can a piece of furniture convey the story of Hungarian Jewry or reveal the genius of a little-known master? The story of a career undercut by anti-Semitism and cut short by death?
Who knew that basketball has a storied Jewish past, or that a non-sports guy like me would ever read, no less enjoy, a book about baseball umpires, Bruce Weber’s “As They See ‘Em” (Scribner, 2009)? Maybe it’s because Passover is a time of miracles — or is that Chanukah? Or Purim? Or the entire sweep of Jewish history? No matter. We’re here to talk sports, a subject I now know a little more about.
Los Angeles has long held a fascination with the visual; beholden to looks, surfaces and images, it is a city where even the buildings seem to strike a pose. So it might seem surprising that until now, there’s never been an institution here devoted to photography. But that all changes this week with the opening of the stunning new Annenberg Space for Photography in Century City.
Ever wonder how the movie industry went from five-cent nickelodeons in New York to the glamour of Hollywood with red carpet premieres and the highest of artistic aspirations? Or why a certain pagoda-like Hollywood movie theater in whose courtyard rest footprints of actors is one of the most beloved and frequented tourist sites on the planet?
Are Holocaust movies good for the Jews? Or even, for that matter, for society at large?
Look! Up in the sky! It’s a bird! It’s a plane! It’s two Jewish kids from Cleveland!
Tommywood is ... Tom is ... on Facebook. Aren’t you? If you read this column online and are not on Facebook, you will soon be.
Art Spiegelman attended Harpur College in Binghamton, N.Y. It was the '60s! Sex, LSD and combinations of both blew his mind, while trips to San Francisco, the East Village and a Vermont commune put flowers in his hair, or at least in some of his drawings.
New downtown Grammy Museum reflects on music's importance, even during a time of industry uncertainty
David Wild wants you to know that he is an unabashed Neil Diamond fan. So much so that he has written a book titled, "He Is ... I Say: How I Learned to Stop Worrying and Love Neil Diamond"
" . . . I'm talking to Shlomo Shva about my daughters, trying to dredge up a little sympathy. He knows about that. The harshest criticism of Israel and the Jews has always come from us. The biggest anti-Semites of all are educated Israelis, and my daughters are as fanatical as they are, but sweeter than most . . . "
Levine was in the middle of a Showtime meeting when his assistant interrupted saying "Dustin Hoffman's on the line." Hoffman was not calling to pitch Showtime; instead, he was standing on a soundstage and needed Levine to intone the Kaddish for a movie he was mixing
What does it mean that Spielberg's other founding partners, David Geffen and Jeffrey Katzenberg, are no longer with the company?
As we get older, we no longer ask so many questions aloud. Our questions become more private: Why? Why are we on this earth? Events occur, and we ask: Why me? Or, why not me?
"Without people like the Broads,we wouldn't have commissioned work of Mozart and Bach and Beethoven and so many of the great painters. How they use their capital is commendable." -- Dustin Hoffman
It was at college that he first met Allen Ginsberg. "He was 17. He was a bit crazy, and he was more eccentric than I was," Gold said.
I decided to watch every film adapted from Philip Roth's work. My mission started simply enough: a search on imdb.com turned up eight works on film and TV, stretching back to the 1950s. Some had never been released on video, some are only in VHS, some were available at the local video store, some had to be tracked down in specialty shops or in university or museum archives. My quest led me across Los Angeles and afforded me the pleasure of visiting some of the city's most beautiful libraries and research facilities, as well as some of its best-stocked video stores.
He was famous for being the first man in Hungary to own a car, and my grandmother kept a clipping from the Royal Hungarian Automobile Society with a picture of him seated at the controls of his Benz with a little girl on the rear rumble seat. Beneath the photo was the caption in Hungarian, German and French, proclaiming "Hatsek Bela le premier automobiliste Hongrois sur son voiture Benz en 1895."
As to whether "Zohan" will advance the cause of peace in the Middle East and increase regard for Israel and Israelis in the world at large, even as Israel itself celebrates its 60th anniversary, that's hard to say
The last time BookExpo was in Los Angeles, the convention floor was constantly, overwhelmingly crowded, with so many booths that the author autographing section had to be relegated to a basement hall
Preservation Hall's formula was simple and is followed to this day: No reservations, no food, just music in a small room. Shows began at 8 p.m. Each set lasted around 35 minutes, and tickets were priced low (they're now $10 a show, Wednesday through Sunday)
What does it mean to be a Jew in a Post-Zionist world?
William Shatner is God. And Pharaoh. And Moses, too.
Just in time for Passover, the Jewish Music Group (a division of Shout Factory) has released "Exodus: An Oratorio in Three Parts," performed by the Arkansas Symphony Orchestra. It is conducted by David Itkin, who created and composed the Oratorio, sung by baritone Paul Rowe and includes dramatic readings from the Bible and from the haggadah, spoken by none other than Shatner.
Dutton's Brentwood Books, among the best-known and best-loved of Los Angeles' independent bookstores, will close on April 30.
It is hard not to take this as a sign of the times.
The Actors' Gang, now in residence at the historic Ivy Substation in Culver City, is celebrating its 25th anniversary. The substation, constructed in 1907 by the Los Angeles Pacific Railroad, looks more like a Spanish mission than an electric power facility, strangely appropriate for The Actors' Gang, which is both a theater troupe with a strong sense of mission and a longtime source of power plays and electric performances (and that's as far as I'm willing to stretch this metaphor).
So who is Steve Binder, and why was the "Singer Presents Elvis" special from 1968 so special that 40 years later, people still regard it as one of the greatest TV musical performances ever?
Every so often, I read a book that is extraordinary, a book that is so good, so well written, so moving, so memorable that you just want to holler out: Read this! Such a book is "The Invisible Wall" by Harry Bernstein.
When it comes to Bob Dylan, I think it's fair to say that I'm a fan of long standing -- my wife still teases me about the time, shortly after we'd moved to Los Angeles, when in her car, radio on, she was surprised to hear me as a call-in contestant to KSCA's "Lyrically Speaking" correctly identify the author of the verse in question as, "My man, Bob Dylan."
So you might think that I would be excited to see "Bob Dylan's American Journey, 1956-66," opening at the Skirball on Feb. 8. But I was somewhat skeptical.
In an underground office on the campus of Santa Monica College, Claude Brodesser-Akner is working with his producer, Matt Holzman, and associate producer, Darby Maloney, to describe the current status of the Oscar broadcast -- and work in a pun.
In February, the Los Angeles County Museum of Art will unveil the first phase of its renovation and expansion, including the opening of a new building devoted to contemporary art -- the Broad Contemporary Art Museum (that's Broad as in Eli and Edythe Broad, our local Medicis) or, as the acronymists at LACMA have dubbed it, BCAM.
Let me state, for the record, that I know nothing about sports.
I don't watch them; I don't follow them. My parents didn't. I never did as a kid. I don't now with my family. Occasionally in the finals of a season, a few names flutter into my consciousness and then, just as quickly, disappear. I'm not proud of this. I watch, rather wistfully, as sports informs the conversations of a wide range of folks, as I watch families and friends gather in living rooms or in bars to scream and shout and be together.
An appreciation of Julius Shulman, the still much-in-demand architectural photographer famous for his photos of Modernist homes, who turned 97 a few weeks ago.
Interview with novelist Michael Chabon.
Producer, songwriter and musician Larry Klein is having a good year. In a way, one could say his current success is the culmination of a process of recontextualizing his background, his experience, his talents and his interests.
Why Iran? Why now, you may ask.
In part, it is incredible that such an old and established Jewish community is unknown to most of us, and that the life they led is, for the most part, no more.
With slight trepidation, the new year stands before us, calling us to dive in and embrace the fall.
Lately, I have been thinking about Zsa Zsa, and it makes me sad. A few years ago, she crashed her car on Sunset, and she has been wheelchair-bound since. She had been a recluse for some time before that, depressed, not wanting to leave the house. She, who for so long relied on her looks, no longer wants to be seen in public.
When I heard that the circus was coming to town, I couldn't wait to take my daughter. I'm talking about the Greatest Show on Earth, Ringling Bros. and Barnum & Bailey Circus, appearing in Orange County until Aug. 5.
"The plov is great." Jonathan Gold, the LA Weekly's restaurant critic and the 2007 winner of the Pulitzer Prize for Criticism, e-mailed me the above about Uzbekistan (the restaurant on La Brea, not the country), where we were planning to meet.
Today in Los Angeles, the three Jewish women profiled below - Andrea Grossman, Louise Steinman, and Julie Robinson - have created their own 21st century versions of the salon. Whereas once the salon was a private, exclusive gathering, today it has become far more democratic.
My father always said he wasn't a hero. "All the heroes are dead," he used to say. He said he just did what he had to under the circumstances.
Summer movies provide thrills, chills and laughs and are more noted for their special effects and star actors than for the acting and the seriousness of their purpose. Which makes this a good time to visit with Mark Rydell, a man whose more than 50-year career as an actor, director and producer speaks of his integrity, his commitment to being an artist and his devotion to the craft of acting.
How the Nuremberg Laws came to California in the possession of Gen. George S. Patton, who left them to reside first at the Huntington Museum and Library in Pasadena and now at the Skirball, is a story explored in the recently released book, "Bloodlines: Recovering Hitler's Nuremberg Laws From Patton's Trophy to Public Memorial" by Anthony M. Platt and Cecilia E. O'Leary" (Paradigm).
Nextbook, an organization devoted to Jewish literature, culture and ideas (www.nextbook.org) came to L.A. last weekend, staging a full day festival at UCLA's MacGowan and Freud theaters called "Acting Jewish: Film, TV, Comedy, Music," the first of what it hopes to be an annual event.
The ostensible reason for this column is the recently published "Brothers for Resistance and Rescue: The Underground Zionist Youth Movement in Hungary During World War II," by David Gur (Gefen Publishing House), in which Stevens appears.
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Just as the first heavy rain of the season began to beat against the large red awning of the Marilyn Monroe Café in Ramat Aviv, an area in north Tel Aviv, Amos Oz stepped under the protected terrace, looked around and smiled as I stood to shake his hand. Punctual to the minute
Pioneering performance and interdisciplinary artist Rachel Rosenthal, who was honored by the city in 2000 as a “living cultural treasure of Los Angeles,” is the guest of honor at Rachel Rosenthal’s Birthday Bash 83. The evening will commemorate her new book, “The DbD