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Jewish demons have always pursued Philip Roth. Starting with the 1959 publication of "Goodbye, Columbus," his iconoclastic and now classic portrait of materialistic Jewish suburbanites, Roth has dramatized his characters' struggle to reconcile their eternally warring urges to simultaneously lay claim to and distance themselves from (even sometimes flat-out reject) their Jewish heritage.
What does it mean to be your brother's keeper? Lessons from the Cleveland kidnappings